Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Kent Şarkıları - Hayat Devam Ediyor - Chord
Key G major – E minor Chords Bm7, Cmaj7, Am7, B7, D7, G Easy key C (capo 7)
No ratings yet
or your user informations
Make it yours
Text size
Key: G | Em
Capo: 0
Cmaj7 Bm7 Am7 Bm7 Cmaj7 Bm7 Am7 D7 Bm7 Cmaj7 Bm7 Cmaj7 Bm7 Bir gün bitebiliyor büyük aşklar, hüsranla bitebiliyor Cmaj7 Bm7 Am7 Bm7 Fakat devam eden bir hayat var, güçlü olmak gerekiyor Cmaj7 Bm7 Cmaj7 Bm7 Elbette sonu geliyor yalnızlığın, elbet sonu geliyor Cmaj7 Bm7 Am7 Bm7 Bir vakit bir başkası seni sarıyor, umut yenileniyor G Am7 Cmaj7 Bm7 Ağladığına yanıyor insan, ağladığına yanıyor Cmaj7 Bm7 Am7 B7 Zaman geçiyor öyle böyle geçiyor, her şey anılaşıyor Cmaj7 Bm7 Am7 Bm7 Zaman geçiyor öyle böyle geçiyor, hayat devam ediyor Cmaj7 Bm7 Am7 B7 Zaman geçiyor öyle böyle geçiyor, çok şey unutuluyor Cmaj7 Bm7 Am7 Bm7 Zaman geçiyor öyle böyle geçiyor, hayat devam ediyor Cmaj7 Bm7 Am7 Bm7 Cmaj7 Bm7 Am7 D7 Bm7 Cmaj7 Bm7 Cmaj7 Bm7 Bazen gidesin gelir uzak ülkelere, bazen sığınasın gelir Cmaj7 Bm7 Cmaj7 Bm7 Bir değer tutar seni tutar sımsıkı, sonra kalasın gelir Cmaj7 Bm7 Cmaj7 Bm7 Elbette sonu geliyor yalnızlığın, elbet sonu geliyor Cmaj7 Bm7 Am7 Bm7 Bir vakit bir başkası seni sarıyor, umut yenileniyor G Am7 Cmaj7 Bm7 Ağladığına yanıyor insan, ağladığına yanıyor Cmaj7 Bm7 Am7 B7 Zaman geçiyor öyle böyle geçiyor, her şey anılaşıyor Cmaj7 Bm7 Am7 Bm7 Zaman geçiyor öyle böyle geçiyor, hayat devam ediyor Cmaj7 Bm7 Am7 B7 Zaman geçiyor öyle böyle geçiyor, çok şey unutuluyor Cmaj7 Bm7 Am7 Bm7 Zaman geçiyor öyle böyle geçiyor, hayat devam ediyor
End of song Play again?
Kent Şarkıları - Hayat Devam Ediyor Tabs
NotesX
Harmony analysis
Kent Şarkıları – Hayat Devam Ediyor: key and chord analysis
The song opens on Cmaj7 and ends on Bm7. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
- #7 = D# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor because G is heard 2 times while Em never appears and the major V chord points straight at Em. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 2× |
| ii7 | Am7 | Supertonic — prepares the dominant | A · C · E · G | 17× |
| iii7 | Bm7 | Mediant — a tonic-family shade | B · D · F# · A | 38× |
| III7 | B7 | Chromatic colour chordoutside the key | B · D# · F# · A | 4× |
| IVmaj7 | Cmaj7 | Subdominant — moves away from home | C · E · G · B | 27× |
| V7 | D7 | Dominant — strongest pull home | D · F# · A · C | 2× |
| vi | Em | Relative minor — the melancholy side | E · G · B | — |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | — |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 2× |
| iv7 | Am7 | Subdominant — moves away from home | A · C · E · G | 17× |
| v7 | Bm7 | Minor dominant — soft pull | B · D · F# · A | 38× |
| V7 | B7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# · A | 4× |
| VImaj7 | Cmaj7 | Submediant — warm colour | C · E · G · B | 27× |
| VII7 | D7 | Subtonic — steps back to the tonic | D · F# · A · C | 2× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 90 times in total; 5 of them sit naturally inside the shared scale. The major V of Em brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.
Chord movement
- Am7 B7 Gii7 → III7 Emiv7 → V7iv → V ×4
- Am7 D7 Gii7 → V7ii → V Emiv7 → VII7 ×2
The move to watch is Am7 → B7, heard 4 times. From the G side it reads ii7 → III7; from the Em side it is iv7 → V7 (iv → V: the minor side's tension builder). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Bm7, land on B, D, F# — the chord's own tones always sound right on strong beats.
- Over Cmaj7, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
- When B7 comes, swap the scale's D for D#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Cmaj7; the ear learns where home is within a second. The backbone is Bm7, Cmaj7, Am7, B7 — iii7–IVmaj7–ii7–III7 from the G side, v7–VImaj7–iv7–V7 from the Em side. B7 is the interesting twist: in G it is a chromatic chord (III7), while in Em it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Am7 → B7 (ii7 → III7 in G, iv7 → V7 in Em): iv → V — the minor side's tension builder. Ending on Bm7, the song seals G as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kent Şarkıları - Hayat Devam Ediyor Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Erkan GüneşMusic: Erkan Güneş
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.