Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Nükhet Duru - Seninle (Kenan Doğulu) - Chord
Key Bb major – G minor Chords Dm7, Ebmaj7, F7, Cm7, Bbmaj7, Abmaj7 Easy key C
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Key: Bb | Gm
Capo: 0
Dm7 Cm7
Sen ağladığımı görmeden, duymadan
Bbmaj7 Abmaj7 F7 Ebmaj7 F7
Acılarımı benimle paylaşmadan, hatırın kırılmadan
Dm7 Cm7
Ben gülen gözyaşlarımla, çaresiz
Bbmaj7 Abmaj7 F7
Yitirdiğim güzel duygularımla, bükülen boynumla
Ebmaj7
Seninle, bir yolun başındayım
Dm7
Seninle, belki de sonundayım
Ebmaj7 Dm7
Seninle, yasak tutkuların en temizinde
Ebmaj7
Seninle, kendime yenildim ben
Dm7
Seninle, hasrete alışkındım
Ebmaj7 Dm7
Seninle, soylu sevgilerin en tutsağında
Ebmaj7 Ebmaj7 Dm7 F7
Dm7 Cm7
Gün duygularımın karmaşık olduğu
Bbmaj7 Abmaj7 F7 Ebmaj7 F7
Gözlerimin artık buruk baktığı, gülümün solduğu
Ebmaj7
Seninle, bir yolun başındayım
Dm7
Seninle, belki de sonundayım
Ebmaj7 Dm7
Seninle, yasak tutkuların en temizinde
Ebmaj7
Seninle, kendime yenildim ben
Dm7
Seninle, hasrete alışkındım
Ebmaj7 Dm7
Seninle, soylu sevgilerin en tutsağında
End of song Play again?
Nükhet Duru - Seninle (Kenan Doğulu) Tabs
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Harmony analysis
Nükhet Duru – Seninle (Kenan Doğulu): key and chord analysis
The song opens on Dm7 and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb major side because Bb is heard 3 times while Gm never appears. That is an interpretation, not a rule — hearing the same chords from G minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Bbmaj7 | Tonic — home | Bb · D · F · A | 3× |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 3× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 12× |
| III | D | Chromatic colour chordoutside the key | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 12× |
| V7 | F7 | Dominant — strongest pull home | F · A · C · Eb | 6× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| bVIImaj7 | Abmaj7 | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Ab · C · Eb · G | 3× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| bIImaj7 | Abmaj7 | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Ab · C · Eb · G | 3× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| IIImaj7 | Bbmaj7 | Relative major — the bright side | Bb · D · F · A | 3× |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 3× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 12× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 12× |
| VII7 | F7 | Subtonic — steps back to the tonic | F · A · C · Eb | 6× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 39 times in total; 5 of them sit naturally inside the shared scale. Abmaj7 is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Ebmaj7 F7 BbIVmaj7 → V7IV → V GmVImaj7 → VII7VI → VII ×2
The move to watch is Ebmaj7 → F7, heard 2 times. From the Bb side it reads IVmaj7 → V7 (IV → V: the lift that builds tension before home); from the Gm side it is VImaj7 → VII7 (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over F7, land on F, A, C — the chord's own tones always sound right on strong beats.
- On Abmaj7, follow the chord's notes (Ab · C · Eb · G) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Dm7, the song gives away its key from the very first bar. Dm7, Ebmaj7, F7, Cm7 carry the song: iii7–IVmaj7–V7–ii7 relative to Bb, v7–VImaj7–VII7–iv7 relative to Gm. Abmaj7 briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Ebmaj7 → F7 (IVmaj7 → V7 in Bb, VImaj7 → VII7 in Gm): IV → V — the lift that builds tension before home. The final chord is Dm7; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Nükhet Duru - Seninle (Kenan Doğulu) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Nükhet DuruMusic: Onno TunçArrangement: Ozan Doğulu
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