Ömer Başçı - Ah Be Kadın - Chord

Key Ab major – F minor Chords Ebm, Db, B, Abm, Gb, Bb Easy key A

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Capo 0

Ebm           Abm
 Neler çektin, neler gördün şu dünyada
Ebm               Db                         Ebm
 Üstüne neler duydun insanlardan hiç hak etmedin

Ebm         Abm
 Tüm anların yalanların etrafında
Ebm            Db  B          Ebm
 Döndü farketmedin  sadece sevdin

B          Db  Gb      Db
Şimdi de zaman  bizim için duracak
Abm       Db  Bb         Ebm        B
Kaybetmek zor, unutmak daha zor bilirim
        Db       Ebm
Uyurken izlerdim seni (unutsam dönmezdim geri)

Ebm    Abm  Db         B    Gb
 Ah be kadın gecenin karanlığındasın
B           Abm            Bb            Ebm
 Uçurum kenarındasın atma adım, sabret kadın

Ebm    B    Db                 Gb            B
 Ah be kadın dertlerin tam ortasındasın, anladım
                 Abm           Bb           Abm
Yazılmış en güzel sözlerin anlamı, sensin kadın

Ebm          Abm
 Yaram derin, gündüz sessiz gece serin
Ebm                   Db                 Ebm
 Başka vücutlarda hayalin, olmadı ısınamadım

Ebm            Abm
 Çok yalvardım, unut onu kalbim diye
Ebm               Db            B          Ebm
 Yalanlara alışamadım, sensizlikle yaşayamadım

B          Db  Gb     Db
Belki de zaman  bizim hiç olmayacak
Abm      Db  Bb         Ebm        B
Affetmek zor  unutmak daha zor bilirim
        Db       Ebm
Rüyamda düşlerdim seni (yanımda isterdim seni)

Ebm    B    Db              Gb
 Ah be kadın gecenin karanlığındayım
B           Abm             Bb           Ebm
 Uçurum kenarındayım at bi adım, affet kadın

Ebm    B    Db                 Gb            B
 Ah be kadın dertlerin tam ortasındayım, anladım
                 Abm            Bb           Abm
Aldığım bir nefesin anlamı kalmadı, sensiz kadın

End of song Play again?

Ömer Başçı - Ah Be Kadın Tabs

NotesX

Harmony analysis

Ömer Başçı – Ah Be Kadın: key and chord analysis

The song opens on Ebm and ends on Abm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
i	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	13×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
V/V	Bb	Secondary dominant V/V — leads to Ebsecondary dominant	Bb · D · F	6×
bIII	B	Borrowed from the parallel minorborrowed chord	B · D# · F#	14×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	—
III	C	Chromatic colour chordoutside the key	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	16×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
v	Ebm	Chromatic colour chordoutside the key	Eb · Gb · Bb	22×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
bVII	Gb	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	Gb · Bb · Db	6×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
bII	Gb	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	Gb · Bb · Db	6×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iii	Abm	Chromatic colour chordoutside the key	Ab · Cb · Eb	13×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
IV	Bb	Major IV — Dorian / melodic-minor colourmodal colour	Bb · D · F	6×
#IV	B	Chromatic colour chordoutside the key	B · D# · F#	14×
v	Cm	Minor dominant — soft pull	C · Eb · G	—
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	16×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—
vii	Ebm	Chromatic colour chordoutside the key	Eb · Gb · Bb	22×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 77 times in total; 1 of them sit naturally inside the shared scale. Bb acts as a secondary dominant, briefly pointing at another chord of the key. B, Gb are borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
On B, follow the chord's notes (B · D# · F#) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Ebm lays a solid floor for everything that follows. Ebm, Db, B, Abm carry the song: v–IV–bIII–i relative to Ab, vii–VI–#IV–iii relative to Fm. Bb adds a moment of surprise: secondary dominant V/V — leads to Eb. It closes on Abm, letting the Ab side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Ömer Başçı - Ah Be Kadın Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Ömer Başçı

Music: Ömer Başçı

Arrangement: Ömer Başçı

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