Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Zeynep Bastık - Her Mevsim Yazım - Chord
Key Db major – Bb minor Chords Bbm7, Ebm7, Fm7, Ab, Gbmaj7, Gb Easy key C (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Bbm7
Gözümde bir yerdesin ordan çok zor inişin
Ebm7 Ab
Adını koyalım mı artık bu gidişin
Bbm7
Söyler misin nerdesin ordan yok mu dönüşün
Ebm7 Fm7 Gb Fm7
Sonu yok mu söyle ne olur bunca kavga dövüşüüün
Bbm7 Ab
Bir başka oldum senle bir başka ben
Gbmaj7 Fm7
Kim derdi aşkla vurulur hercai beden
Ebm7 Fm7 Bbm7
Dünyada var mıdır hiç yanmadan sönen
Yanmadan sönen
Bbm7
Bundan sonra durmaz, hiç uymaz
Bana gözlerin lazım
Gbmaj7
Bundan napsam kışa bakmaz
Gb
Ben her mevsim yazım
Ebm7
Senden sonra kaçmaz tadım asla
Gbmaj7 Ab
Bir tek sana nazım oooo
Bbm7
Bir tek sana nazım
End of song Play again?
Zeynep Bastık - Her Mevsim Yazım Tabs
NotesX
Harmony analysis
Zeynep Bastık – Her Mevsim Yazım: key and chord analysis
The song opens on Bbm7 and ends on Bbm7. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 6 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii7 | Ebm7 | Supertonic — prepares the dominant | Eb · Gb · Bb · Db | 4× |
| iii7 | Fm7 | Mediant — a tonic-family shade | F · Ab · C · Eb | 4× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IVmaj7 | Gbmaj7 | Subdominant — moves away from home | Gb · Bb · Db · F | 3× |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 2× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 3× |
| vi7 | Bbm7 | Relative minor — the melancholy side | Bb · Db · F · Ab | 6× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Bbm7 | Tonic — home | Bb · Db · F · Ab | 6× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv7 | Ebm7 | Subdominant — moves away from home | Eb · Gb · Bb · Db | 4× |
| v7 | Fm7 | Minor dominant — soft pull | F · Ab · C · Eb | 4× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VImaj7 | Gbmaj7 | Submediant — warm colour | Gb · Bb · Db · F | 3× |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 2× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 3× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 22 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Bbm7 DbV → vi7deceptive cadence BbmVII → i7Aeolian arrival ×2
- Fm7 Bbm7 Dbiii7 → vi7 Bbmv7 → i7natural-minor cadence ×2
- Ebm7 Ab Dbii7 → Vii → V Bbmiv7 → VII ×1
- Gbmaj7 Ab DbIVmaj7 → VIV → V BbmVImaj7 → VIIVI → VII ×1
The move to watch is Ab → Bbm7, heard 2 times. From the Bbm side it is VII → i7 (Aeolian arrival: rises a whole tone into home); from the Db side it reads V → vi7 (deceptive cadence: expected Db, lands on Bbm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Ebm7, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
Starting on Bbm7, the song gives away its key from the very first bar. The backbone is Bbm7, Ebm7, Fm7, Ab — vi7–ii7–iii7–V from the Db side, i7–iv7–v7–VII from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bbm7 (V → vi7 in Db, VII → i7 in Bbm): Aeolian arrival — rises a whole tone into home. Ending on Bbm7, the song seals Bbm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Zeynep Bastık - Her Mevsim Yazım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Oğuzhan KoçMusic: Oğuzhan KoçArrangement: Çağrı Telkıvıran
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.