Zeynep Bastık - Bırakman Doğru Mu (Anıl Piyancı) - Chord

Key Ab major – F minor Chords Fm, Db, Cm Easy key G (capo 1)

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Capo 0

Fm
Söyle umutlar yine soldu mu
        Db             Cm    Fm
Sarhoşken verilen sözler gibi kaybolduk mu

Söyle gerçekten seven oldu mu
       Db          Cm     Fm
Ellerimi sımsıkı tutarken bırakman doğru mu

Fm
Söyle çekinme benimle konuş, hatta nefesinle içime doluş
       Db                   Cm
Gözüme bakıp söyle içimdeki deliye dokun
      Fm
Çünkü konuşamazsak hayat bak eziyet olur

İkimize hiç bir zaman uzak durma, boşuna üzülüp, bana kurulup tuzak kurma
        Db              Cm
Düşürme bu duruma bizi, yolumuzu kesip
Fm
Umurumda değil inan gururumu rezil etsen de inancımı kaybetmedim hiç

Ellerini tutunca diyorum dans etmeliyiz
      Db                  Cm
Belki bütün hayatımı sana sarfetmeliyim
       Fm
Senden vazgeçemem hiç bir zaman affet meleğim

Fm                            Db
Gel geride bırak kötü anılarını
        Cm              Fm
Sarılıp tekrar hisset bana 

Fm                             Db
Sen sevgiye inan, yeni anılarını düşün
Cm                Fm
Söylemez hisler yalan

Fm
Söyle umutlar yine soldu mu
        Db             Cm    Fm
Sarhoşken verilen sözler gibi kaybolduk mu

Söyle gerçekten seven oldu mu
       Db          Cm     Fm
Ellerimi sımsıkı tutarken bırakman doğru mu

Fm
Yüreğim düşer durur hatıralara
                        Db
Üzer durur aklım almaz ah
             Cm             Fm
Geceler yine yapışırken yakama

Güler misin bir çocuk gibi
                       Db
Mutluymuş gibi yalanlara
          Cm               Fm
Artık iyi gelmiyor bak yarama

Fm
Sımsıkı sar ellerini bırakma, ikimiz de geçmeliyiz sınavdan
Db                  Cm
Yaşamak yaşatır bak herkese bir travma
Fm
Yokluğunu düşününce inan kalbim duraklar

Duraklar "dur aptal", diyor bak ardımdan sesleniyor hayat
Db                 Cm
Yeni bi şarkı gibi besteliyor yalan
Fm
Yine de umudunu kesme diyor, dayan

Sanki bir mucize bu aşk, sanki yıldırım gibiydi

Evet doğru bu adam çılgınının biriydi
       Db                     Cm
Ve sen benim şansım, bir nevi tılsımım gibiydin
   Fm
Gökyüzünde en güzel parlayan yıldızım gibiydin

Fm                            Db
Gel geride bırak kötü anılarını
        Cm              Fm
Sarılıp tekrar hisset bana

Fm                             Db
Sen sevgiye inan, yeni anılarını düşün
Cm                Fm
Söylemez hisler yalan

Fm
Söyle umutlar yine soldu mu
        Db             Cm    Fm
Sarhoşken verilen sözler gibi kaybolduk mu

Söyle gerçekten seven oldu mu
       Db          Cm     Fm
Ellerimi sımsıkı tutarken bırakman doğru mu

Fm
Yüreğim düşer durur hatıralara
                        Db
Üzer durur aklım almaz ah
             Cm             Fm
Geceler yine yapışırken yakama

Güler misin bir çocuk gibi
                       Db
Mutluymuş gibi yalanlara
          Cm               Fm
Artık iyi gelmiyor bak yarama

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Zeynep Bastık - Bırakman Doğru Mu (Anıl Piyancı) Tabs

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Harmony analysis

Zeynep Bastık – Bırakman Doğru Mu (Anıl Piyancı): key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 31 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	20×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	20×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	31×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	31×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	20×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	20×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 71 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Cm Fm Abiii → vi Fmv → inatural-minor cadence ×20

The move to watch is Cm → Fm, heard 20 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

The first chord is Fm; the ear learns where home is within a second. The backbone is Fm, Db, Cm — vi–IV–iii from the Ab side, i–VI–v from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. Ending on Fm, the song seals Fm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Zeynep Bastık - Bırakman Doğru Mu (Anıl Piyancı) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Anıl Piyancı
Emrah Karakuyu

Music: Can Volkan

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