Mavi Gri - O Ben Olamam - Chord

Key Bb major – G minor Chords Dm7, Ebmaj7, Cm7, F, Bbmaj7, Gm Easy key C

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Capo 0

Ebmaj7  Dm7  Gm

Cm7  Dm7  Ebmaj7  Dm7  Cm7  Dm7  Ebmaj7  Dm7
Cm7  Dm7  Ebmaj7  Dm7  Cm7  Dm7  Ebmaj7

  Ebmaj7               Bbmaj7
Toparladım bütün kırgınlıklarımı
      Ebmaj7             Bbmaj7
Yeniden saydım beni üzdüğün zamanları
     Ebmaj7                  Bbmaj7
Yokluğunda çok düşündüm gelirsen naparım  diye
      Ebmaj7             Bbmaj7
O bile beni bu kadar üzmeye yetmedi

    Cm7   Dm7        Ebmaj7  F
Ne olur tekrar yorma kendiniii
    Cm7       Dm7   Ebmaj7   F
Uğradığım ihanete gücüm yetmedi
        Cm7  Dm7          Ebmaj7   F
Yaranamadııııım, sevdiremedim kendimi
      Cm7  Dm7        Ebmaj7     F
Aklım ermedi, ne istedin de vermedim

       Cm7  Dm7                   Ebmaj7   Dm7
Artık olamam senle bir kez daha, olamam yetti
           Cm7     Dm7        Ebmaj7  Dm7
Yanında da kalamam, aşığın olamaz tenim
        Cm7    Dm7    Ebmaj7    Dm7
Başka bedenleri koklarsın yerime şimdi
         Cm7     Dm7         Ebmaj7       Dm7
Çok arar bulursun ya sana verdiğim bu değeri

       Cm7  Dm7                   Ebmaj7   Dm7
Artık olamam senle bir kez daha, olamam yetti
           Cm7     Dm7        Ebmaj7  Dm7
Yanında da kalamam, aşığın olamaz tenim
      Cm7     Dm7     Ebmaj7    F
Başka bedenlerde bulursun yerimi şimdi
      Cm7       Dm7     Ebmaj7     F
Çok zarar verdin bu kez yok aşk bitti

       Ebmaj7          Bbmaj7
Yokluğunda çok üşüdüm ama ısınırım yine
   Ebmaj7              Bbmaj7
Ateşin bile beni eritmeye yetmedi

      Cm7   Dm7        Ebmaj7  F
Yok hayır tekrar yorma kendiniii
    Cm7       Dm7   Ebmaj7   F
Uğradığım ihanete gücüm yetmedi
        Cm7  Dm7          Ebmaj7   F
Yaranamadııııım, sevdiremedim kendimi
      Cm7  Dm7        Ebmaj7     F
Aklım ermedi, ne istedin de vermedim

       Cm7  Dm7                   Ebmaj7   F
Artık olamam senle bir kez daha, olamam yetti
           Cm7     Dm7        Ebmaj7  F
Yanında da kalamam, aşığın olamaz tenim
        Cm7    Dm7    Ebmaj7    F
Başka bedenleri koklarsın yerime şimdi
         Cm7     Dm7         Ebmaj7       F
Çok arar bulursun ya sana verdiğim bu değeri

       Cm7  Dm7                   Ebmaj7   F
Artık olamam senle bir kez daha, olamam yetti
           Cm7     Dm7        Ebmaj7  F
Yanında da kalamam, aşığın olamaz tenim
      Cm7     Dm7     Ebmaj7    F
Başka bedenlerde bulursun yerimi şimdi
      Cm7       Dm7     Ebmaj7     F
Çok zarar verdin bu kez yok aşk bitti

End of song Play again?

Mavi Gri - O Ben Olamam Tabs

NotesX

Harmony analysis

Mavi Gri – O Ben Olamam: key and chord analysis

The song opens on Ebmaj7 and ends on F. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb major side because Bb is heard 6 times against 1 for Gm. That is an interpretation, not a rule — hearing the same chords from G minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
Imaj7	Bbmaj7	Tonic — home	Bb · D · F · A	6×
ii7	Cm7	Supertonic — prepares the dominant	C · Eb · G · Bb	28×
iii7	Dm7	Mediant — a tonic-family shade	D · F · A · C	38×
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IVmaj7	Ebmaj7	Subdominant — moves away from home	Eb · G · Bb · D	35×
V	F	Dominant — strongest pull home	F · A · C	18×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	1×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	1×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
IIImaj7	Bbmaj7	Relative major — the bright side	Bb · D · F · A	6×
iv7	Cm7	Subdominant — moves away from home	C · Eb · G · Bb	28×
v7	Dm7	Minor dominant — soft pull	D · F · A · C	38×
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VImaj7	Ebmaj7	Submediant — warm colour	Eb · G · Bb · D	35×
VII	F	Subtonic — steps back to the tonic	F · A · C	18×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 126 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ebmaj7 F BbIVmaj7 → VIV → V GmVImaj7 → VIIVI → VII ×18
Ebmaj7 Bbmaj7 BbIVmaj7 → Imaj7plagal cadence GmVImaj7 → IIImaj7 ×6
Dm7 Gm Bbiii7 → vi Gmv7 → inatural-minor cadence ×1

The move to watch is Ebmaj7 → F, heard 18 times. From the Bb side it reads IVmaj7 → V (IV → V: the lift that builds tension before home); from the Gm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Ebmaj7, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Ebmaj7 lays a solid floor for everything that follows. Dm7, Ebmaj7, Cm7, F carry the song: iii7–IVmaj7–ii7–V relative to Bb, v7–VImaj7–iv7–VII relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebmaj7 → F (IVmaj7 → V in Bb, VImaj7 → VII in Gm): IV → V — the lift that builds tension before home. The final chord is F; the ear comes to rest in Bb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.