Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Birileri - Kozmik Dans - Chord
Key G major – E minor Chords Em, D, A, G, C, Bm, Am Difficulty already in its easiest key
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Key: G | Em
Capo: 0
Em Em Em Em D D A
Em
Ah, yine nerelere gitmeli
G
Peşine keşfedilmeyenin
D A
Bir an evvel düşmeli
Em
Son bulacak elbet her bi' şey
G
Toz ve gaza geri dönmeden
D A
Görmeli tüm renkleri
C Em
Haydi beni güzel bi yere ulaştır
D
Bunu yapabilirsin
A
Bu senin içinde var
C Em
Gözlerini yukarılarda dolaştır
D
Farkına var kendinin
A
Bak hâlâ bi şansın var
Em Bm
Hayranlıkla seyrettiğin
Am G C
Yıldızlar bile dans ederler
Bm D
Sen de durma, bir adım at
Em
Nasılsa onların tozlarından oldun
Em
Bak işte eriyor saatlerin
G
Ağustos güneşi vurmuş
D A
Bir kamamber peyniri gibi
Em
Koş, koş ki yakalayabilesin
G
Hızla kaçmakta bulunan
D A
Yaramaz şimdilerini
C Em
Haydi bi çaba kendini bulacaksın
D A
İçsel yolculuğunun sonunda bir evren var
C Em
Eh, tabi arada bir yorulacaksın
D
Fakat hiç sorun olmasın
A
Yakınsın o noktaya
Em Bm
Hayranlıkla seyrettiğin
Am G C
Yıldızlar bile dans ederler
Bm D
Sen de durma, bir adım at
Em
Nasılsa onların tozlarından oldun
End of song Play again?
Birileri - Kozmik Dans Tabs
NotesX
Harmony analysis
Birileri – Kozmik Dans: key and chord analysis
The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 16 times against 6 for G. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | 6× |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 2× |
| V/V | A | Secondary dominant V/V — leads to Dsecondary dominant | A · C# · E | 9× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 4× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 6× |
| V | D | Dominant — strongest pull home | D · F# · A | 12× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 16× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 16× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | 6× |
| iv | Am | Subdominant — moves away from home | A · C · E | 2× |
| IV | A | Major IV — Dorian / melodic-minor colourmodal colour | A · C# · E | 9× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 4× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 6× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 12× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 7 different chords appear 55 times in total; 6 of them sit naturally inside the shared scale. A acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- C Em GIV → vi EmVI → iVI → i ×4
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×2
The move to watch is C → Em, heard 4 times. From the Em side it is VI → i (VI → i: falls a half step into home); from the G side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
Starting on Em, the song gives away its key from the very first bar. The chords that keep coming back are Em, D, A, G; read them as vi–V–V/V–I in G or i–VII–IV–III in Em. A adds a moment of surprise: secondary dominant V/V — leads to D. Keep an ear on C → Em (IV → vi in G, VI → i in Em): VI → i — falls a half step into home. Ending on Em, the song seals Em as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Birileri - Kozmik Dans Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Jan SoykökMusic: Jan SoykökArrangement: Birileri
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