Sıla - Cam - Chord

Key Ab major – F minor Chords Cm, Db, Fm, Bbm, Fsus Easy key C

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Capo 0

Fm  Db  Cm  Bbm  Cm
Fsus

  Db
Cama iyice sokulmuş bakıyor öyle uzağa
  Cm
Düşmüş gibi tuzağa
     Db
Kendime sarılıyorum der gibi
        Cm        Db
Gözleri her şeyden çok
           Bbm           Fm
Her şeyden çok bu koyuyo bana

Fm
Herkes geçiyor aynı yollardan
Db
Tanıdığımız yok yukarılardan
Cm                    Bbm
İnatla sarılacaksın sabredecek yaşayacaksın
Fm
Herkes geçiyor aynı yollardan
Db
Tanıdığımız yok yukarılardan
Cm            Bbm
Azmedeceksin hazmedeceksin

Fm   Db   Cm   Bbm   Cm

   Db
Her gece görüyorum balkonda
                Cm
Elinde sigarası gizli içiyor hızlı hızlı
     Db
Kendine darılıyor belli ki benzi safran sarı
Cm         Db    Bbm          Fm
Dünler durgun hayat aynı kan kırmızı

Cm           Bbm      Fm
Azmedeceksin hazmedeceksin

End of song Play again?

Sıla - Cam Tabs

NotesX

Harmony analysis

Sıla – Cam: key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 7 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	7×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	11×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	10×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	7×
VIsus4	Fsus	Relative minor — the melancholy side	F · Bb · C	1×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	7×
Isus4	Fsus	Tonic — home	F · Bb · C	1×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	7×
v	Cm	Minor dominant — soft pull	C · Eb · G	11×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	10×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 36 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bbm Fm Abii → vi Fmiv → iminor plagal ×5

The move to watch is Bbm → Fm, heard 5 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Cm, Db, Fm, Bbm; read them as iii–IV–vi–ii in Ab or v–VI–i–iv in Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. The final chord is Fm; the ear comes to rest in Fm.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Sıla - Cam Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sıla Gençoğlu

Music: Efe Bahadır

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