Bora Cengiz - Sevsek mi Sence (SBSV) - Chord

Key Bb major – G minor Chords G, Eb, C Easy key G (capo 3)

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Capo 0

G  G  Eb  Eb  C

G
İyidir hoştur her şey

Gerçekler yüzler görünmeden
Eb
Maskeler düşmeden
                  C
Canım cicim henüz kol gezerken

G
Şarkılar aşk bulur

Göndermeler daha yoktur
Eb
Belki de bu başlangıçlar
          C
Her aşkın sonudur

G
Yalnızlık korkutur insanı

Bu yüzdendir bir omuz arayışı
Eb
Doğrusunu bulana dek acı çeker herkes
              C
Her yer devre herkesten

G
Fakat yanılır insan herkes biraz doğrudur
Eb                             C
Önemli olan en az yanlışın kim olduğudur
G
Burda da bitmez her şey

En acısı daha sonrasıdır
Eb
İnsana en çok koyan ise
              C
İşte bu deyip yanılmasıdır

G
Kısa bir süren vardır

Koşup sıfırlanman için
Eb
Kaçırırsan sonrası geçmiş olsun

C  G                 Eb       C  G
Sevme hayat geçer sevmeden de bence
               Eb
E Acı çekmektense

G
İyi güzeldi herşey

Bu yaşananlar olmasaydı
Eb
Kaybolsaydı kadının resmi
       C
Asla bulunmasaydı

G
O zaman varolurdu en korkunç yalnızlık
Eb
Sana göre varoluşun anlamı yok
                C
Yalnızlık ya da varsızlık

G
Aklım hiç almıyor nedir bu yalnızlık durumu
Eb
Dünyanın en büyük kanunudur
            C
Male female beden uyumu

G
Bu tutumu bence eskimiş değiştir artık şu durumu+
Eb
İpe sapa gelmez kalbine yer aç
         C
Bunlar erosun yorumu

C  G                 Eb       C  G
Sevme hayat geçer sevmeden de bence
               Eb
E Acı çekmektense

C  G                 Eb       C  G
Sevme hayat geçer sevmeden de bence
               Eb
E Acı çekmektense

End of song Play again?

Bora Cengiz - Sevsek mi Sence (SBSV) Tabs

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Harmony analysis

Bora Cengiz – Sevsek mi Sence (SBSV): key and chord analysis

The song opens on G and ends on Eb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	—
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	—
II	C	Chromatic colour chordoutside the key	C · E · G	16×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	18×
V	F	Dominant — strongest pull home	F · A · C	—
vi	Gm	Relative minor — the melancholy side	G · Bb · D	—
V/ii	G	Secondary dominant V/ii — leads to Cmsecondary dominant	G · B · D	18×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	—
V/iv	G	Secondary dominant V/iv — leads to Cmsecondary dominant	G · B · D	18×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	—
iv	Cm	Subdominant — moves away from home	C · Eb · G	—
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	16×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	18×
VII	F	Subtonic — steps back to the tonic	F · A · C	—

Analysis

The key pair is Bb major and its relative G minor (2 flats). 3 different chords appear 52 times in total; 1 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
2 semitones up

The song's harmonic story

The opening G lays a solid floor for everything that follows. The chords that keep coming back are G, Eb, C; read them as V/ii–IV–II in Bb or V/iv–VI–IV in Gm. G adds a moment of surprise: secondary dominant V/ii — leads to Cm. The final chord is Eb; the ear comes to rest in Bb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Bora Cengiz - Sevsek mi Sence (SBSV) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Bora Cengiz
Toygar Egemen

Music: Bora Cengiz
Toygar Egemen

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