Zeynep Bastık - İmkansızım (Aslı Bekiroğlu) - Chord

Key Eb major – C minor Chords Cm, Ab, Bb Easy key G

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Capo 0

Cm  Ab  Cm  Ab

                Cm
Dedim ki bu kız kaçmaz
                         Ab     Bb
Gördüğüm anda onu dedin, kaçmaz
                          Cm
Mantığım duygularıma der, yapma
                           Ab     Bb
Bakmaz bu kız dönüpte sana bakmaz

İmkansız

        Cm
Be hayrola

Bu kalp ona doğru atıp durur dedim
Ab                  Bb
Sercan dikkat et sakın kaybolma
  Cm
Kabullenmem lazım da imdat nasıl
Ab         Bb
Nasıl olur bu kız benim imkansızım 

Cm
İmkansızım, imkansızım
Ab          Bb
Çıktı lanet kadın teki vicdansızın
    Cm                         Ab
Oo, derdim neydi, derdinden başka
              Bb
Ettirdin beni isyan kızım
    Cm                     
Çok insafsızsın, insafsızsın
Ab             Bb
Çok güzelsin lanet olsun insan mısın
    Cm                         Ab  Bb
Oo, derdim neydi, derdinden başka

Cm  Ab  Cm  Ab

                Cm
Yüzünde benleri tane tane
                       Ab
Türkü gibi bi kadın ve şahane
          Bb                   Cm
Daha ne kadar güzel olunabilir ah be abi
                   Ab    Bb
Burnu fındık, ağzı kahve

Kül oldum yandım yani

Cm                                   Ab
Ay, su, toprak, güneş, hava ve yıldızlar
         Bb                   Cm
Adını haykırıp derler, Hırsız var
                            Ab
Çaldın kalbim, kaldım dımdızlak
               Bb
Bu nasıl olur aşığım sırılsıklam
Cm                                      Ab
Sesi kulaklarımda hiç duymamış olmama rağmen
             Bb                     Cm
Düşün ki seni göremedim bi kere daha ben

O yüzden içimde matem halen
Ab                  Bb                   Cm
Madden manen bittim kabullendim yok ki çarem
                             Ab         Bb
Ne insafsız ne vicdansızsın, ilhamımsın, ilhamımsın
Cm
İmkansızlığından isyancıyım
Ab                 Bb
İnsaf be, imdat be, insaf kızım

        Cm
O benim imkansızım, imkansızım
Ab          Bb
Çıktı lanet kadın teki vicdansızın
    Cm                         Ab
Oo, derdim neydi, derdinden başka
              Bb
Ettirdin beni isyan kızım
    Cm                     
Çok insafsızsın, insafsızsın
Ab             Bb
Çok güzelsin lanet olsun insan mısın
    Cm                         Ab  Bb
Oo, derdim neydi, derdinden başka

Cm  Ab  Cm  Ab

End of song Play again?

Zeynep Bastık - İmkansızım (Aslı Bekiroğlu) Tabs

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Harmony analysis

Zeynep Bastık – İmkansızım (Aslı Bekiroğlu): key and chord analysis

The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 26 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	—
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	—
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	26×
V	Bb	Dominant — strongest pull home	Bb · D · F	20×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	26×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	26×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	—
v	Gm	Minor dominant — soft pull	G · Bb · D	—
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	26×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	20×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 72 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×20
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×20
Ab Cm EbIV → vi CmVI → iVI → i ×5

The move to watch is Bb → Cm, heard 20 times. From the Cm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the Eb side it reads V → vi (deceptive cadence: expected Eb, lands on Cm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Ab, Bb; read them as vi–IV–V in Eb or i–VI–VII in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Cm (V → vi in Eb, VII → i in Cm): Aeolian arrival — rises a whole tone into home. Ending on Ab, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.