Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Merve Çalkan - Defter - Chord
Key F major – D minor Chords Am, Bb, Gm Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Am Am Bb Gm Am
Am
Kapkara kaplı bi defter
Bb Gm
Acısını ben bilirim
Am
Sayfalarında adın nasıl meşhur
Bb Gm
Ama yüreğinde şüpheyim
Am Bb Am Bb
Ellerimle gülümü, oof bahçemden kopardım
Am Bb
Yakıştım sandım ah resmine
Am Bb Am
Sense sevdikçe kanardıııın
Am
Solma ne olur, belli mi olur
Bb Gm
Kader kavuşur sonunda
Am
Bir kara düşün pembesi büyür de
Bb Gm Am
Solundaa, solunda
Am
Sorma ne olur, belli mi olur
Bb Gm
Kader konuşur sonunda
Am
Bir kara taşın tövbesi büyür de
Bb Gm Am
Solumdaa, solunda
Am Am Bb Gm Am
Am
Ah dikenin de ucunda
Bb Gm
Unutulmuş bir yol gibiyim
Am Bb
Yıllara baktım, önümden akıyor da
Gm
Ben dur gibiyim
Am Bb Am Bb
Ellerimle gülümü, oof bahçemden kopardım
Am Bb
Yakıştım sandım ah resmine
Am Bb Am
Sense sevdikçe kanardıııın
Am
Solma ne olur, belli mi olur
Bb Gm
Kader kavuşur sonunda
Am
Bir kara düşün pembesi büyür de
Bb Gm Am
Solundaa, solunda
Am
Sorma ne olur, belli mi olur
Bb Gm
Kader konuşur sonunda
Am
Bir kara taşın tövbesi büyür de
Bb Gm Am
Solumdaa, solunda
End of song Play again?
Merve Çalkan - Defter Tabs
NotesX
Harmony analysis
Merve Çalkan – Defter: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 14× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 32× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 22× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 14× |
| v | Am | Minor dominant — soft pull | A · C · E | 32× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 22× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 68 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is Am, Bb, Gm — iii–IV–ii from the F side, v–VI–iv from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Am, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Merve Çalkan - Defter Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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