Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Irmak Arıcı - Mühür (Aybike Türkmen) - Chord
Key Ab major – F minor Chords Db, Bbm, Eb, Fm, Dbmaj7 Easy key G (capo 1)
No ratings yet
or your user informations
Make it yours
Text size
Key: Ab | Fm
Capo: 0
Fm Db
Duydum ki biri yar olmuş sana
Bbm
Aşkın zehrolmuş bana
Sevdan cehennem
Eb Fm
Kalbin mesken oldu ama
Fm
Ömrüm deme ona
Eb Db Bbm
Yandım yandım yandım Allah'ım
Eb Db Bbm Fm
Beni sana küstüren kadere ahtım
Eb Db Bbm
Yıllar yollar kaybım oldular
Eb Db
İhanetin mührü çözdü
Bbm Dbmaj7
Hadi bana eyvallah
Fm Db
Duydum ki biri yar olmuş sana
Bbm
Aşkın zehrolmuş bana
Sevdan cehennem
Eb Fm
Kalbin mesken oldu ama
Fm
Ömrüm deme ona
Eb Db Bbm
Yandım yandım yandım Allah'ım
Eb Db Bbm Fm
Beni sana küstüren kadere ahtım
Eb Db Bbm
Yıllar yollar kaybım oldular
Eb Db
İhanetin mührü çözdü
Bbm Dbmaj7
Hadi bana eyvallah
End of song Play again?
Irmak Arıcı - Mühür (Aybike Türkmen) Tabs
NotesX
Harmony analysis
Irmak Arıcı – Mühür (Aybike Türkmen): key and chord analysis
The song opens on Fm and ends on Dbmaj7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 8 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 10× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 10× |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 10× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 8× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 8× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 10× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 10× |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 10× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 40 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Bbm Eb Abii → Vii → V Fmiv → VII ×6
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×2
- Bbm Fm Abii → vi Fmiv → iminor plagal ×2
- Dbmaj7 Fm AbIVmaj7 → vi FmVImaj7 → iVI → i ×1
The move to watch is Bbm → Eb, heard 6 times. From the Fm side it is iv → VII; from the Ab side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. Db, Bbm, Eb, Fm carry the song: IV–ii–V–vi relative to Ab, VI–iv–VII–i relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bbm → Eb (ii → V in Ab, iv → VII in Fm): ii → V — the classic preparation of the dominant. It closes on Dbmaj7, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Irmak Arıcı - Mühür (Aybike Türkmen) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Irmak ArıcıMusic: Irmak Arıcı
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.