Can Kazaz - Ankara'da Biri Var - Chord

Key D major – B minor Chords A, Bm, Em, G Easy key G (capo 7)

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Capo 0

Bm           A    Bm          A      Bm
Ankara'da biri var hiç görmediğim belki
            A        Em            A
Ben kaybolursam o da vazgeçer, yoluna gider
Bm           A    Bm        A        Bm
Ankara'da biri var hiç bilmediğim belki
           A        Em              A
Gerçekçi değilim ne farkeder herkes sabreder

Bm                        G
Halim bozgun gibi, gecesi üşütür
      Em         A
Gündüzü yakar içimi
Bm                         G
Dört yanı beton gri, evine götürür
      Em        A
Yolları ve kasveti
Em
Bunlar hep eski hikayeler
                       G     A
Üzülme sakın, üzülme sakın, aaaah

Bm           A    Bm          A      Bm
Ankara'da biri var hiç görmediğim belki
            A        Em            A
Ben kaybolursam o da vazgeçer, yoluna gider
Bm           A    Bm        A        Bm
Ankara'da biri var hiç bilmediğim belki
           A        Em              A
Gerçekçi değilim ne farkeder herkes sabreder

Bm 
Sen yine çok güzelsin
       G             Em       A
Başına gelenler seni hiç üzmesin
Bm
Üzgünüm gitmem gerekti
      G             Em          A
Elini tutanlar seni hep mutlu etsin
Em
Bunlar hep eski hikayeler
                       G     A
Üzülme sakın, üzülme sakın, aaaah

Bm          A      Bm        A
Ankara'da biri var hiç görmediğim belki
Bm          A        Em            A
Ben kaybolursam o da vazgeçer, yoluna gider
Bm          A      Bm        A 
Ankara'da biri var hiç bilmediğim belki
Bm          A        Em             A
Gerçekçi değilim ne farkeder herkes sabreder

Em    A          Bm
Kimseye hesap vermem
Em      A       Bm       A
Söylediğim şarkılar yüzünden
Em    A          Bm
Kimseye hesap vermem
Em    A       Bm        A
Aklımdan geçenler yüzünden

End of song Play again?

Can Kazaz - Ankara'da Biri Var Tabs

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Harmony analysis

Can Kazaz – Ankara'da Biri Var: key and chord analysis

The song opens on Bm and ends on A. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the B minor side because it opens on Bm and Bm is heard 26 times while D never appears. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	—
ii	Em	Supertonic — prepares the dominant	E · G · B	16×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	—
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	—
IV	G	Subdominant — moves away from home	G · B · D	6×
V	A	Dominant — strongest pull home	A · C# · E	36×
vi	Bm	Relative minor — the melancholy side	B · D · F#	26×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	—

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	26×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	—
III	D	Relative major — the bright side	D · F# · A	—
iv	Em	Subdominant — moves away from home	E · G · B	16×
v	F#m	Minor dominant — soft pull	F# · A · C#	—
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	—
VI	G	Submediant — warm colour	G · B · D	6×
VII	A	Subtonic — steps back to the tonic	A · C# · E	36×

Analysis

The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 84 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

A Bm DV → videceptive cadence BmVII → iAeolian arrival ×25
Em A Dii → Vii → V Bmiv → VII ×14
G A DIV → VIV → V BmVI → VIIVI → VII ×2

The move to watch is A → Bm, heard 25 times. From the Bm side it is VII → i (Aeolian arrival: rises a whole tone into home); from the D side it reads V → vi (deceptive cadence: expected D, lands on Bm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

The first chord is Bm; the ear learns where home is within a second. A, Bm, Em, G carry the song: V–vi–ii–IV relative to D, VII–i–iv–VI relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on A → Bm (V → vi in D, VII → i in Bm): Aeolian arrival — rises a whole tone into home. It closes on A, letting the D side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.