Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Mabel Matiz - Sarışın - Chord
Key Bb major – G minor Chords Ebm, Dbm, E, B, Abm, F# Easy key B
No ratings yet
or your user informations
Make it yours
Text size
Key: Bb | Gm
Capo: 0
E Ebm Dbm B E Ebm Dbm B E Ebm sarışın bir kaplan karışır Dbm B içimin cam ormanına Dbm Ebm sanki bir yerlerden tanıdık Dbm B dokunsam kanayacak tadı E Ebm delindi gökler şimdi huzur Dbm B kayıyor dünya altımızda buzu Dbm Ebm ne çıkar kopsa fırtınalar Dbm F# sarıldık sarmaşıklar gibi Abm Ebm Dbm Ebm kendiliğinden bu kırılma Abm Ebm Dbm Ebm bak yazıyorum beni baştan E Ebm Dbm Ebm her neresinden avunuyorsa bu halim E Ebm Dbm Ebm bir bakışına bin meftun Abm Ebm Dbm Ebm bak yere indi deliliğim de bu firarla E Ebm Dbm B bir gülüşüne bin mahkum E Ebm Dbm B E Ebm Dbm B
End of song Play again?
Mabel Matiz - Sarışın Tabs
NotesX
Harmony analysis
Mabel Matiz – Sarışın: key and chord analysis
The song opens on E and ends on B. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| bII | B | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | B · D# · F# | 8× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | — |
| biii | Dbm | Chromatic colour chordoutside the key | Db · Fb · Ab | 16× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| III | D | Chromatic colour chordoutside the key | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| iv | Ebm | Minor iv — borrowed from the parallel minorborrowed chord | Eb · Gb · Bb | 19× |
| #IV | E | Chromatic colour chordoutside the key | E · G# · B | 9× |
| V | F | Dominant — strongest pull home | F · A · C | — |
| bVI | F# | Borrowed from the parallel minorborrowed chord | F# · A# · C# | 1× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| bvii | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 3× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| bii | Abm | Chromatic colour chordoutside the key | Ab · Cb · Eb | 3× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| #III | B | Chromatic colour chordoutside the key | B · D# · F# | 8× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | — |
| #iv | Dbm | Chromatic colour chordoutside the key | Db · Fb · Ab | 16× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| vi | Ebm | Chromatic colour chordoutside the key | Eb · Gb · Bb | 19× |
| #VI | E | Chromatic colour chordoutside the key | E · G# · B | 9× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
| #VII | F# | Chromatic colour chordoutside the key | F# · A# · C# | 1× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 56 times in total; 0 of them sit naturally inside the shared scale. Ebm, B, F# are borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Dbm, land on Db, Fb, Ab — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- On Ebm, follow the chord's notes (Eb · Gb · Bb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 1 semitone up
- 4 semitones down · capo 4 keeps the original pitch
The song's harmonic story
The first chord is E; the ear learns where home is within a second. The backbone is Ebm, Dbm, E, B — iv–biii–#IV–bII from the Bb side, vi–#iv–#VI–#III from the Gm side. Ebm briefly darkens the picture: minor iv — borrowed from the parallel minor. Ending on B, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mabel Matiz - Sarışın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.