Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Doğa İçin Çal - İki Keklik - Chord
Key Ab major – F minor Chords Cm, Eb, Fm, Db, Bbm, F Easy key C
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Key: Ab | Fm
Capo: 0
Eb Cm Bbm Fm F Cm İki keklik bir kayada öötüyor Fm Bbm Fm Eb Db Cm Eb Db Cm Ötme de keklik derdim bana yeetiyor aman aman yeeeeeetiyor Eb Cm Bbm Fm F Cm Annesine kara da haber gidiyor Fm Bbm Fm Eb Db Cm Eb Db Cm Yazması oyalı kundurası boyalı, yaaar benim aman aman yaaaar benim Fm Bbm Fm Eb Db Cm Eb Db Cm Uzun da geceler yar boynuma saaar benim aman aman saaaar benim Eb Cm Bbm Fm F Cm İki keklik bir derede su içer Fm Bbm Fm Eb Db Cm Eb Db Cm Dertli de keklik dertsizlere deert açar aman aman deeert açar Eb Cm Bbm Fm F Cm Buna yanık sevda derler tez geçer Fm Bbm Fm Eb Db Cm Eb Db Cm Yazması oyalı kundurası boyalı, yaaar benim aman aman yaaaar benim Fm Bbm Fm Eb Db Cm Eb Db Cm Uzun da geceler yar boynuma saaar benim aman aman saaaar benim Eb Cm Bbm Fm F Cm İki keklik bir kayada yaslanır Fm Bbm Fm Eb Db Cm Eb Db Cm Teke de bıçak gümüş kında paaaslanır aman aman paaaaslanır Eb Cm Bbm Fm F Cm Bir gün olur deli de gönül uuslanır Fm Bbm Fm Eb Db Cm Eb Db Cm Yazması oyalı kundurası boyalı, yaaar benim aman aman yaaaar benim Fm Bbm Fm Eb Db Cm Eb Db Cm Uzun da geceler yar boynuma saaar benim aman aman saaaar benim
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Doğa İçin Çal - İki Keklik Tabs
/videos/doga-icin-cal-iki-keklik-tab.mp4
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Harmony analysis
Doğa İçin Çal – İki Keklik: key and chord analysis
The song opens on Eb and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because Fm is heard 24 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 15× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 30× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 18× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 24× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 24× |
| V/ii | F | Secondary dominant V/ii — leads to Bbmsecondary dominant | F · A · C | 6× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 24× |
| V/iv | F | Secondary dominant V/iv — leads to Bbmsecondary dominant | F · A · C | 6× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 15× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 30× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 18× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 24× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 117 times in total; 5 of them sit naturally inside the shared scale. F acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Bbm Fm Abii → vi Fmiv → iminor plagal ×15
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×9
The move to watch is Bbm → Fm, heard 15 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Eb lays a solid floor for everything that follows. The backbone is Cm, Eb, Fm, Db — iii–V–vi–IV from the Ab side, v–VII–i–VI from the Fm side. F adds a moment of surprise: secondary dominant V/ii — leads to Bbm. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. It closes on Cm, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Doğa İçin Çal - İki Keklik Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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