Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Gökhan Türkmen - Dene - Chord
Key C major – A minor Chords Dm, G, C, F, Gm, Bb Easy key D
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Dm F G Belki de olamadım iyi bir sevgili Dm F G Ama hiç eksilmedi aşkının bendeki değeri Dm F G Dinleme sen onu bunu şunu, dinle kendini Dm F G En iyi sen bilirsin senin bendeki yerini Dm C G Bb Kurtaralım biz bizi, bize bizden fayda var Dm C G Gm C Zorlayalım en iyisi, savaş dövüş bunlar hep bize zarar Dm C G Bb Kurtaralım biz bizi, bize bizden fayda var Dm F G Zorlayalım en iyisi, savaş dövüş bunlar hep bize zarar Dm C G Gm Dene yine alev alsın dudağım öperken seni seni seni Dm C G Gm Dene mutlu görelim uzaktan bakınca bizi bizi bizi
End of song Play again?
Gökhan Türkmen - Dene Tabs
NotesX
Harmony analysis
Gökhan Türkmen – Dene: key and chord analysis
The song opens on Dm and ends on Gm. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C major side because C is heard 6 times while Am never appears. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 6× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 10× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| III | E | Chromatic colour chordoutside the key | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 5× |
| V | G | Dominant — strongest pull home | G · B · D | 10× |
| v | Gm | Chromatic colour chordoutside the key | G · Bb · D | 3× |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| bVII | Bb | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Bb · D · F | 2× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| bII | Bb | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Bb · D · F | 2× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 6× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 10× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 5× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 10× |
| vii | Gm | Chromatic colour chordoutside the key | G · Bb · D | 3× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 36 times in total; 4 of them sit naturally inside the shared scale. Bb is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- F G CIV → VIV → V AmVI → VIIVI → VII ×5
The move to watch is F → G, heard 5 times. From the C side it reads IV → V (IV → V: the lift that builds tension before home); from the Am side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- On Bb, follow the chord's notes (Bb · D · F) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The first chord is Dm; the ear learns where home is within a second. The chords that keep coming back are Dm, G, C, F; read them as ii–V–I–IV in C or iv–VII–III–VI in Am. Bb briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on F → G (IV → V in C, VI → VII in Am): IV → V — the lift that builds tension before home. The final chord is Gm; the ear comes to rest in C.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Gökhan Türkmen - Dene Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.