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Moğollar - Yürüdük Durmadan - Chord

Key G major – E minor Chords G, D, C, Am, Bm Difficulty already in its easiest key

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Capo 0 
G   C   D   G
G   C   D   D

G       C     D      G
Kıştı soğuk, uzundu saçların
       C         D
Gri gökyüzü, sigaran, çakmağın
G          C      D       G
Kesif bir duman, sorular elimizde
              C           D
Bir afiş var duvarda, durmuşuz öylesine

G              C    D           G
Birşey dedin sonra yine sustun birdenbire
             C     D
Haberler başladı, ülkenin özel anları
G           C     D          G
Elini ver dedin, duman dili konuştun benle
             C    D
Sigara bir yana, daldık sokaklara

G             Am  D          G
Yürüdük durmadan  inşaatların arasından
G             Am  D            G
Yürüdük durmadan  kıyamet günü gelmiş gibi
G             Am  D          G
Yürüdük durmadan  koşmaya başlamadan önce
G            Am  D          G
Geriye bakmadan  peşimizden gelen var sanki

G         Bm  Am        D
Öyle yürüdük, öyle yürüdük ki sanki
G        Bm   Am       D
Kaldırım çim, asfaltsa su sanki
G        Bm   Am       D
Öyle bir aşk, öyle bir güç sanki
G       Bm   Am      D
Gün doğusu   bizle yürür sanki

G             Am  D             G
Yürüdük durmadan  altmış yetmiş milyon insan
G             Am  D            G
Yürüdük durmadan  kıyamet günü gelmiş gibi
G             Am  D          G
Yürüdük durmadan  koşmaya başlamadan önce
G            Am  D            G
Geriye bakmadan  peşimizden gelen var sanki

G   C   D   G
G   C   D   D

G              C    D           G
Birşey dedin sonra yine sustun birdenbire
             C     D
Haberler başladı, ülkenin özel anları
G           C     D          G
Elini ver dedin, duman dili konuştun benle
             C    D
Sigara bir yana, daldık sokaklara

G             Am  D             G
Yürüdük durmadan  altmış yetmiş milyon insan
G             Am  D            G
Yürüdük durmadan  kıyamet günü gelmiş gibi
G             Am  D          G
Yürüdük durmadan  koşmaya başlamadan önce
G            Am  D            G
Geriye bakmadan  peşimizden gelen var sanki

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Moğollar - Yürüdük Durmadan Tabs

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Harmony analysis

Moğollar – Yürüdük Durmadan: key and chord analysis

The song opens on G and ends on G. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = F# (leading tone, pulls home)
  • 4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = C (the minor's melancholy)
  • b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G major side because it both starts and finishes on G and G is heard 46 times while Em never appears. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree Chord Role Notes In song
I G Tonic — home G · B · D 46×
ii Am Supertonic — prepares the dominant A · C · E 16×
iii Bm Mediant — a tonic-family shade B · D · F# 4×
III B Chromatic colour chordoutside the key B · D# · F# —
IV C Subdominant — moves away from home C · E · G 16×
V D Dominant — strongest pull home D · F# · A 34×
vi Em Relative minor — the melancholy side E · G · B —
vii° F#dim Leading-tone chord — tension F# · A · C —
Seen from E minor
Degree Chord Role Notes In song
i Em Tonic — home E · G · B —
ii° F#dim Supertonic — prepares the dominant F# · A · C —
III G Relative major — the bright side G · B · D 46×
iv Am Subdominant — moves away from home A · C · E 16×
v Bm Minor dominant — soft pull B · D · F# 4×
V B Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor B · D# · F# —
VI C Submediant — warm colour C · E · G 16×
VII D Subtonic — steps back to the tonic D · F# · A 34×

Analysis

The key pair is G major and its relative E minor (1 sharp). 5 different chords appear 116 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. D G GV → Iauthentic cadence EmVII → III ×32
  2. C D GIV → VIV → V EmVI → VIIVI → VII ×16
  3. Am D Gii → Vii → V Emiv → VII ×16

The move to watch is D → G, heard 32 times. From the G side it reads V → I (authentic cadence: the strongest arrival home); from the Em side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
  • Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
  • Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
  • Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With G major shapes

    • No capo — open G shapes
    • Capo 3 + E shapes
    • Capo 5 + D shapes

    With E minor shapes

    • No capo — open Em shapes
    • Capo 2 + Dm shapes
    • Capo 7 + Am shapes

    Easiest keys on guitar

    The song is already written in its easiest key for guitar.

    The song's harmonic story

    The opening G lays a solid floor for everything that follows. G, D, C, Am carry the song: I–V–IV–ii relative to G, III–VII–VI–iv relative to Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on D → G (V → I in G, VII → III in Em): authentic cadence — the strongest arrival home. Ending on G, the song seals G as home.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Moğollar - Yürüdük Durmadan Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

    Find something to play next

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    Lyrics: Turgut Berkes
    Music: Cahit Berkay

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