Berkay - Sana Geri Dönemem - Chord

Key C major – A minor Chords Em, Dm, F, A Difficulty already in its easiest key

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Capo 0

Dm               Em
Benim sana verdiğim değerin 
Dm                 Em
Önemin sadece yarısını verseydin
   F
Eminim güzel olan
        Em
Hiçbir şey bu kadar çabuk
Dm                  Em   Dm  
Bırakıp bizi gitmezdi   aahh
F                        Em              A
Eminim güzel olan hiçbir şey bu kadar çabuk
Dm                      Em
Bırakıp aşkı terk etmezdi

Em               Dm    
Sana geri dönemem ben
Dm                      Em 
Sen dönsen de yine sevemem
                   Dm     
O taş kalbine yeniden
                  Em 
Şu kalbimi ziyan edemem

End of song Play again?

Berkay - Sana Geri Dönemem Tabs

NotesX

Harmony analysis

Berkay – Sana Geri Dönemem: key and chord analysis

The song opens on Dm and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	8×
iii	Em	Mediant — a tonic-family shade	E · G · B	9×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	2×
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	—
V/ii	A	Secondary dominant V/ii — leads to Dmsecondary dominant	A · C# · E	1×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	—
V/iv	A	Secondary dominant V/iv — leads to Dmsecondary dominant	A · C# · E	1×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	8×
v	Em	Minor dominant — soft pull	E · G · B	9×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	2×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 20 times in total; 3 of them sit naturally inside the shared scale. A acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

Starting on Dm, the song gives away its key from the very first bar. The backbone is Em, Dm, F, A — iii–ii–IV–V/ii from the C side, v–iv–VI–V/iv from the Am side. A adds a moment of surprise: secondary dominant V/ii — leads to Dm. Ending on Em, the song seals C as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.