Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Kenan Doğulu - İlk Adımı Sen At - Chord
Key C major – A minor Chords C, Am, G, F, Dm, Em Easy key G (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am G C F Dm C
Düşlerini gözlerinin rengine boyadım
Am G C F Em
Başka bir şey düşünemez oldum rüyadayım
Am G C F Dm C
Önüm arkam sağım solum senle kaplıyım
Am G C F
Tabi hala delirmediysem sen de boş değilsin bana
Am G C F Dm C Am
İlk adımı sen at
Am G C F
İlk adımı sen at, benim ayaklarım yere basmıyor
Dm C Am G C F
Açılamıyorum sana biraz cesaret versen bana
Am G C F Dm C
Aşk baharının rüzgarı vurur camlara
Am G C F Em
Mevsimler değişir bir adım yaklaşsan bana
Am G C F Dm C
Ne yukarıda ne aşağıda kalbim kolayda açıkta bekliyorum
Am
İkimize bir yelken açtım fırtınalar üflemeni istiyorum
Am G F
Sanki yalnız ikimiz kaldık şu an dünyada
Am G C F
Zaman durdu romantik bir şarkı çaldı fonda
Am G C F Dm C
Kelimeler izin istiyor dilin ucunda
Am G C
Buluşsak yemek memek sohbet mohbet falan filan ne olursa
Am G C F
Seviyorsan gel söyle doğru zaman doğru yerde
Dm C Am G C F
Yüzünü döndüğün her yerde yanında yakınlardayım
End of song Play again?
Kenan Doğulu - İlk Adımı Sen At Tabs
NotesX
Harmony analysis
Kenan Doğulu – İlk Adımı Sen At: key and chord analysis
The song opens on Am and ends on F. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor because it opens on Am and C is heard 23 times against 18 for Am. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 23× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 8× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 2× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 15× |
| V | G | Dominant — strongest pull home | G · B · D | 16× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 18× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 18× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 23× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 8× |
| v | Em | Minor dominant — soft pull | E · G · B | 2× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 15× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 16× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 82 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G C CV → Iauthentic cadence AmVII → III ×15
- F Am CIV → vi AmVI → iVI → i ×4
- Em Am Ciii → vi Amv → inatural-minor cadence ×2
The move to watch is G → C, heard 15 times. From the C side it reads V → I (authentic cadence: the strongest arrival home); from the Am side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. C, Am, G, F carry the song: I–vi–V–IV relative to C, III–i–VII–VI relative to Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → C (V → I in C, VII → III in Am): authentic cadence — the strongest arrival home. Ending on F, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kenan Doğulu - İlk Adımı Sen At Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.