İrem Derici - Seni Çok Seviyorum - Chord

Key Bb major – G minor Chords Dm, Cm, Eb, F Easy key C

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Capo 0

Dm 
Bazen saçmalıyor insan
                          Cm
Bazen bilemiyor kıymetini aşkın
                   Dm
Sanki her gün mü yaşıyor

Dm
Bazen kaşınıyor insan
                          Cm
Bazen göremiyor gerçeğini aşkın
                 Dm
Hemen öyle kolay sanıyor
 
Cm                   Dm
Hadi bir bak bize geldik göze
    Cm             Dm
Çok zor değil mi ayrı kalmak
Cm            Dm
Vakit varken gel barışalım
    Cm             Dm
Tek derdimiz mutlu olmak
 
Eb               F
Bu kadar zor mu, bu kadar zor mu
Eb               Dm
Bu kadar zor mu söyle
Eb               F
Bu kadar zor mu, bu kadar zor mu
Eb           Cm   Dm
Bu kadar zor mu söyle
 
Dm
Bu kadar zor mu mutlu olması sence
Cm
Aşkımız dünyada dört yapraklı yonca
F
Hayatın anlamı üç kelime bence
Eb        Cm    Dm
Seni çok seviyorum

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İrem Derici - Seni Çok Seviyorum Tabs

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Harmony analysis

İrem Derici – Seni Çok Seviyorum: key and chord analysis

The song opens on Dm and ends on Dm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	—
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	9×
iii	Dm	Mediant — a tonic-family shade	D · F · A	12×
III	D	Chromatic colour chordoutside the key	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	5×
V	F	Dominant — strongest pull home	F · A · C	3×
vi	Gm	Relative minor — the melancholy side	G · Bb · D	—
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	—
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	—
iv	Cm	Subdominant — moves away from home	C · Eb · G	9×
v	Dm	Minor dominant — soft pull	D · F · A	12×
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	5×
VII	F	Subtonic — steps back to the tonic	F · A · C	3×

Analysis

The key pair is Bb major and its relative G minor (2 flats). 4 different chords appear 29 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Eb F BbIV → VIV → V GmVI → VIIVI → VII ×2
Cm F Bbii → Vii → V Gmiv → VII ×1

The move to watch is Eb → F, heard 2 times. From the Bb side it reads IV → V (IV → V: the lift that builds tension before home); from the Gm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

2 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The opening Dm lays a solid floor for everything that follows. The chords that keep coming back are Dm, Cm, Eb, F; read them as iii–ii–IV–V in Bb or v–iv–VI–VII in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → F (IV → V in Bb, VI → VII in Gm): IV → V — the lift that builds tension before home. Ending on Dm, the song seals Bb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.