Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Büyük Ev Ablukada - En Güzel Yerinde Evin - Chord
Key F major – D minor Chords Dm, Gm7, A7, Ddim, Bb, G Easy key G
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Key: F | Dm
Capo: 0
Gm7 A7 Dm Ddim
Gm7 A7
Üzgünüm eskisi gibi değil lunapark
Dm Ddim
Bi yanıp bi sönerken hiç gitmemiş gibi ışıklar ama
Gm7 A7
Baksana bana gölgeme döndüm halim perişan
Dm Bb Dm
Bi yanıp bi söner, bi yanıp bi söner, bi yanıp bi söner
Bb
Hiç gitmemiş gibi ışıklar
uuuu
Dm Bb Dm Bb Gm7 A7 Dm Ddim
Gm7 A7
Sen nehirleri yataklarında ayırırdın da örterdin üstümü
Dm Ddim
Hani yuvarlanıverirdi taşlar hani canları isterse
Gm7 A7 Dm
En güzel günleriydi onlar ama geri geleceklermiş gibi değil
Ddim Dm G
Bu sefer mutsuzum ama, keyfim yerinde
Gm7 A7 Dm
Gel beraber diye değil
Ddim Dm G
Karanlık, artık hurda bir eşyadır ve
Gm7 A7 Dm Bb
En güzel yerinde durur evin
uuuu
Dm Bb Dm Bb Gm7 A7 Dm Ddim
End of song Play again?
Büyük Ev Ablukada - En Güzel Yerinde Evin Tabs
NotesX
Harmony analysis
Büyük Ev Ablukada – En Güzel Yerinde Evin: key and chord analysis
The song opens on Gm7 and ends on Ddim. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 16 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 9× |
| II | G | Chromatic colour chordoutside the key | G · B · D | 2× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V7/vi | A7 | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E · G | 9× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 7× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 16× |
| vi° | Ddim | Chromatic colour chordoutside the key | D · F · Ab | 7× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 16× |
| i° | Ddim | Chromatic colour chordoutside the key | D · F · Ab | 7× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 9× |
| IV | G | Major IV — Dorian / melodic-minor colourmodal colour | G · B · D | 2× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V7 | A7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E · G | 9× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 7× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 50 times in total; 3 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A7 is V7/vi, a secondary dominant heading for Dm. Ddim, G step outside the scale as colour chords.
Chord movement
- A7 Dm FV7/vi → visecondary resolution DmV7 → iharmonic-minor cadence ×9
- Gm7 A7 Fii7 → V7/vi Dmiv7 → V7iv → V ×9
- Bb Dm FIV → vi DmVI → iVI → i ×5
The move to watch is A7 → Dm, heard 9 times. From the Dm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the F side it reads V7/vi → vi (secondary resolution: A7 resolves a fourth up to Dm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over A7, land on A, C#, E — the chord's own tones always sound right on strong beats.
- When A7 comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Gm7 lays a solid floor for everything that follows. The chords that keep coming back are Dm, Gm7, A7, Ddim; read them as vi–ii7–V7/vi–vi° in F or i–iv7–V7–i° in Dm. A7 is the interesting twist: in F it is a chromatic chord (V7/vi), while in Dm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on A7 → Dm (V7/vi → vi in F, V7 → i in Dm): harmonic-minor cadence — the major V resolves dramatically. Ending on Ddim, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Büyük Ev Ablukada - En Güzel Yerinde Evin Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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