İlyas Yalçıntaş - Gel Be Gökyüzüm - Chord

Key Eb major – C minor Chords Cm, Gm, Fm, Eb, Bb, Ab Easy key C (capo 3)

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Capo 0

Cm                 Gm
Güneş doğdu ama yasta 
               Fm               Eb   Gm
Mevsimi hep hasta, yoksun oralarda

Cm                    Gm
Bi ses bin yol olur anla
             Fm                Eb   Gm
Kaybedilen aşka, bahçeleri gonca

Bb     Ab      Cm    Bb   Ab     Cm
Belki affeder bizi, onca hatıra gibi

Cm
Gel be gökyüzüm
     Gm
Kıyıya vurdu aşklarım
        Ab
Ya beni öldür ya anla
        Eb        Bb   Fm
Nefesim ol günahı boynuma

Cm   Gm   Ab   Eb   Bb   Fm

End of song Play again?

İlyas Yalçıntaş - Gel Be Gökyüzüm Tabs

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Harmony analysis

İlyas Yalçıntaş – Gel Be Gökyüzüm: key and chord analysis

The song opens on Cm and ends on Fm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 6 times against 4 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	4×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	4×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	6×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	4×
V	Bb	Dominant — strongest pull home	Bb · D · F	4×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	6×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	6×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	4×
iv	Fm	Subdominant — moves away from home	F · Ab · C	4×
v	Gm	Minor dominant — soft pull	G · Bb · D	6×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	4×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	4×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 28 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ab Eb EbIV → Iplagal cadence CmVI → III ×2
Ab Cm EbIV → vi CmVI → iVI → i ×2
Fm Cm Ebii → vi Cmiv → iminor plagal ×1
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×1

The move to watch is Ab → Eb, heard 2 times. From the Cm side it is VI → III; from the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Cm, the song gives away its key from the very first bar. Cm, Gm, Fm, Eb carry the song: vi–iii–ii–I relative to Eb, i–v–iv–III relative to Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. It closes on Fm, letting the Eb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

İlyas Yalçıntaş - Gel Be Gökyüzüm Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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