Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Emir Can İğrek - Fiyakalı - Chord
Key B major – G# minor Chords E, G#m, F# Easy key G (capo 4)
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Key: B | Abm | G#m
Capo: 0
G#m E F#
Fiiiiiiiiyakalı, inadına fiyakalı
E
Alayına asi bi' delikanlı
x2
G#m
Fiyakalı (Of), fiyakalı (Hey)
E F#
İnadına, ya, fiyakalı o
E
Yedi düver karşısına dizilse
Tek kişilik ordu o
G#m
Gerçeküstü çağın gerisinde kaldı
E
Demode bi' herife göre fazla iddialı
F# E
Yeni model lavukların alayı atarlı da boş
Bu herif gerçek belalı
G#m
Deli fişek hayatla kavgasında kara kuşak
E
Tek aksesuarı sol göğsündeki saplı bıçak
F#
Hasımlar delirecek, o yine yaşayacak
E
Teslim olmayacak (Çap-çap), çarpışacak
G#m E F#
Fiiiiiiiiyakalı, inadına fiyakalı
E
Alayına asi bi' delikanlı
x2
G#m
Fiyakalı (Of), fiyakalı (Hey)
E F#
İnadına, ya, fiyakalı o
E
Yedi düver karşısına dizilse
Tek kişilik ordu o
G#m
Kuponlar tutmaz, problemler bitmez
E
Garabеt hâle dahi moraller bozulmaz
F#
Dans etmеyi bilmez ancak eğlencenin müdavimi
E
Konuşsa her bi' sözü Hürriyet'te manşet gibi
G#m
(Ah, ah) Üzülmüş görürler, yıkılmış göremezler
E
Silah çekerler ancak onu teslim alamazlar
F#
Afili figürandır, rolünü çalamazlar
E
Filmini yazamaz senaristler
G#m E F#
Fiiiiiiiiyakalı, inadına fiyakalı
E
Alayına asi bi' delikanlı
x2
G#m
Fiyakalı (Of), fiyakalı (Hey)
E F#
İnadına, ya, fiyakalı o
E
Yedi düver karşısına dizilse
Tek kişilik ordu o
G#m
Saçlarım berber Yasin'den
E F#
Künyem mi? Künyem han'fendinin kendisinden
E
Her daim para beklerim bi' yerden
G#m
Maçları bağlamasa bahis baronları
Zengin olacaktım erkenden
E
Bilmem şarkıcı olur mu mankenden
F# E
Ama manken olabilir fiyakalı bir serseriden
G#m
Serbest meslek erbabıyım, ömürlük izindeyim (Ah)
E
İspanyol paça pantolon ve sivri burun çizme giymekteyim
F#
Beni tanımanız için yakama bir karanfil takacağım (Ah, ah)
E G#m
Söz size, cenazemde bile fiyakalı olacağım (Ah, ah)
G#m E F# E
End of song Play again?
Emir Can İğrek - Fiyakalı Tabs
NotesX
Harmony analysis
Emir Can İğrek – Fiyakalı: key and chord analysis
The song opens on G#m and ends on E. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G# minor side because it opens on G#m and G#m is heard 15 times while B never appears. That is an interpretation, not a rule — the same chords are just as valid seen from B major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | — |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | — |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | — |
| V/vi | D# | Secondary dominant V/vi — leads to G#msecondary dominant | D# · G · A# | — |
| IV | E | Subdominant — moves away from home | E · G# · B | 28× |
| V | F# | Dominant — strongest pull home | F# · A# · C# | 14× |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | 15× |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | 15× |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | — |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | — |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | — |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI | E | Submediant — warm colour | E · G# · B | 28× |
| VII | F# | Subtonic — steps back to the tonic | F# · A# · C# | 14× |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 3 different chords appear 57 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- E F# BIV → VIV → V G#mVI → VIIVI → VII ×14
- E G#m BIV → vi G#mVI → iVI → i ×13
The move to watch is E → F#, heard 14 times. From the G#m side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the B side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over F#, land on F#, A#, C# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 2 semitones down · capo 2 keeps the original pitch
The song's harmonic story
Starting on G#m, the song gives away its key from the very first bar. The backbone is E, G#m, F# — IV–vi–V from the B side, VI–i–VII from the G#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on E → F# (IV → V in B, VI → VII in G#m): VI → VII — the rising step that heads for the tonic. Ending on E, the song seals B as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Emir Can İğrek - Fiyakalı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Emir Can İğrekMusic: Emir Can İğrekArrangement: Yiğit Avcı
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