Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Canbay - Wolker - Ne İş Hayrola - Chord
Key D major – B minor Chords F#m, G Easy key C (capo 2)
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Key: D | Bm
Capo: 0
F#m G F#m G F#m G F#m G
F#m G F#m G F#m G F#m
F#m G F#m G
Simsiyah gecenin koynundayım, yapayalnız
F#m G F#m G F#m
Uzaklarda bir yerlerde güneşler doğuyor
F#m G
Ne iş hayrola? Kalem kâğıdım bi' de karyolam
F#m G
Tabii tuzunuz kuru, Haziranım niye kar boran
F#m G
Mahalleme ayıp oldu, birden ortadan kayboldu
F#m
Bi' şey dedim hatırlar mısın, "Güneşi sevdik ama ay doğdu"
F#m G
Dönemedim hâlâ evime
F#m G
Yine düştük el âlem diline
F#m G
Gemiyi terk eden olur
F#m G
Herkes gitsin sen kal yerinde
F#m G F#m G
Simsiyah gecenin koynundayım, yapayalnız
F#m G F#m G F#m
Uzaklarda bir yerlerde güneşler doğuyor
F#m
Ne güzel büyüyorduk di' mi?
G F#m
Dediler "Gerekiyor bütün acılara katlanmam"
G F#m
Eşit değildi şartlar, artık beni sen gibiler anlar
G F#m
Garip bakıyor insanalar, uzaktı vuslat, yakındı hicran
G F#m
Dönüp arkama bakmam artık yalan sözlerine kanmam
G F#m
Buluşuruz belki günün birinde
G F#m
Gözlerim sokaklarda seni arıyor
G F#m
Kalmışım tek başıma viran bu evde
G F#m
Dön artık, dön eve, içim acıyor
F#m G F#m G
Simsiyah gecenin koynundayım, yapayalnız
F#m G F#m G F#m
Uzaklarda bir yerlerde güneşler doğuyor
x2
F#m G
Gün çoktan döndü buralarda
F#m G
Ve ben simsiyah bir gecenin koynunda yapayalnız bekliyorum
F#m G
Duyuyorum, görüyorum
F#m G
Bir gün gelecek dönence, biliyorum
End of song Play again?
Canbay - Wolker - Ne İş Hayrola Tabs
NotesX
Harmony analysis
Canbay - Wolker – Ne İş Hayrola: key and chord analysis
The song opens on F#m and ends on G. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 44× |
| III | F# | Chromatic colour chordoutside the key | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 38× |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | — |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | — |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 44× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 38× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
Analysis
The key pair is D major and its relative B minor (2 sharps). 2 different chords appear 82 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
The song's harmonic story
The opening F#m lays a solid floor for everything that follows. The backbone is F#m, G — iii–IV from the D side, v–VI from the Bm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on G, letting the D side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Canbay - Wolker - Ne İş Hayrola Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Canbay, WolkerMusic: Canbay, Wolker
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