Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Aleyna Tilki - Niyetim Saf - Chord
Key Ab major – F minor Chords Bbm7, Db, Fm7, Eb, Fm Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm Eb Bbm7 Db
x2
Fm7
Aşk mı sorsalar eminim
Eb
Onlar aşktan ne anlar
Bbm7
Uzakta olsa da silinmez
Db
Boşluğum dolar acımı anlatınca
Fm7
Düşmez kalkmaz değilsin
Eb
Karanlık tuzaklarına
Bbm7
Birgün kendin düşersin
Db
Hırsına asılır pişmanım dersin
Bbm7 Db Fm7
Ama bu sefeeeeeeer pişmanlığın önemi yok
Eb
Uzan yanıma dinlen, düşmanlığın anlamı yok
Bbm7 Db
Halimiz beteeeeeeer
Fm7 Eb
İzinliyiz bugün hepsinden üzülme yeter
Bbm7 Db Fm7
Nereye sığar senle geçen o günler
Fm7
Aşk hep böyle acıtırmış
Eb
Ondan sonra ötesi yok
Bbm7
Uzakta olsa da silinmez
Db
Boşluğum dolar acımı anlayınca
Fm7
Sevgine açtım kalbimi sandım
Eb Bbm7
Ama düşkünlüğüm sanki onun karasından
Db
Niyetim saf, bu dayanılmaz
Bbm7 Db Fm7
Ama bu sefeeeeeeer pişmanlığın önemi yok
Eb
Uzan yanıma dinlen, düşmanlığın anlamı yok
Bbm7 Db
Halimiz beteeeeeeer
Fm7 Eb
İzinliyiz bugün hepsinden üzülme yeter
Bbm7 Db Fm7
Nereye sığar senle geçen o günler
End of song Play again?
Aleyna Tilki - Niyetim Saf Tabs
NotesX
Harmony analysis
Aleyna Tilki – Niyetim Saf: key and chord analysis
The song opens on Fm and ends on Fm7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 11 times while Ab never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii7 | Bbm7 | Supertonic — prepares the dominant | Bb · Db · F · Ab | 11× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 11× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 9× |
| vi7 | Fm7 | Relative minor — the melancholy side | F · Ab · C · Eb | 10× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 1× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Fm7 | Tonic — home | F · Ab · C · Eb | 10× |
| i | Fm | Tonic — home | F · Ab · C | 1× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv7 | Bbm7 | Subdominant — moves away from home | Bb · Db · F · Ab | 11× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 11× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 9× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 5 different chords appear 42 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Db Fm7 AbIV → vi7 FmVI → i7VI → i ×9
The move to watch is Db → Fm7, heard 9 times. From the Fm side it is VI → i7 (VI → i: falls a half step into home); from the Ab side it reads IV → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Fm7, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The backbone is Bbm7, Db, Fm7, Eb — ii7–IV–vi7–V from the Ab side, iv7–VI–i7–VII from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Fm7 (IV → vi7 in Ab, VI → i7 in Fm): VI → i — falls a half step into home. It closes on Fm7, letting the Fm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aleyna Tilki - Niyetim Saf Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Aleyna TilkiMusic: Aleyna Tilki
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