Edis - Çek Tetiği - Chord

Key Eb major – C minor Chords Cm, Bb, Ab, Gm, Fm Easy key G

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Capo 0

Cm         Bb       Gm        Ab
Çek tetiği hadi, durmasın ellerin
Cm           Bb      Gm         Ab
Savrulup gideyim, bulmasınlar beni
     Cm           Bb        Gm         Ab
Yine haykırıyor nefesim, gittiğinden beri
      Cm           Bb  Gm  Ab
Çok güzel öğrettin

Cm          Bb
Çıkamıyorum şu karanlıktan
Gm           Ab        Cm
Kurtar artık gel, aydınlat
        Bb
Özledim seni
   Gm           Ab
Bu sessizlik hakkım değil

Cm               Bb
Kaldı geriye bir boşluk
      Gm              Ab
Yakar her seferinde tutuştum yar
Cm               Bb
Kalbim yara bere dolmuş
   Gm             Ab
Belki geçecek dokunursan

Cm         Bb       Gm        Ab
Çek tetiği hadi, durmasın ellerin
Cm           Bb      Gm         Ab
Savrulup gideyim, bulmasınlar beni
     Cm           Bb        Gm         Ab
Yine haykırıyor nefesim, gittiğinden beri
      Cm          Bb        Gm     Ab
Çok güzel öğrettin yalnızlık neymiş

           Cm
Neymiş yok çare
Fm                        Cm
Çöküyor sensiz her geceme lanet
Bb                    Ab
Yokluğun ediyor ölüme davet
Fm                           Cm       Bb   Ab
Yoruldum kalktıkça düştüm ne hale, ne haaaale


Cm                    Bb
Olurdun hep derdime deva
         Gm              Ab
Dağıldım böyle ben ilk defa
         Cm             Bb
Düşündüm durdum her ihtimali
   Gm            Ab
Söyle ne değişti ya?

Cm               Bb
Kaldı geriye bir boşluk
      Gm              Ab
Yakar her seferinde tutuştum yar
Cm               Bb
Kalbim yara bere dolmuş
   Gm             Ab
Belki geçecek dokunursan

Cm         Bb       Gm        Ab
Çek tetiği hadi, durmasın ellerin
Cm           Bb      Gm         Ab
Savrulup gideyim, bulmasınlar beni
     Cm           Bb        Gm         Ab
Yine haykırıyor nefesim, gittiğinden beri
      Cm          Bb        Gm     Ab
Çok güzel öğrettin yalnızlık neymiş

End of song Play again?

Edis - Çek Tetiği Tabs

NotesX

Harmony analysis

Edis – Çek Tetiği: key and chord analysis

The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 23 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	2×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	20×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	22×
V	Bb	Dominant — strongest pull home	Bb · D · F	22×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	23×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	23×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	2×
v	Gm	Minor dominant — soft pull	G · Bb · D	20×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	22×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	22×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 89 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ab Cm EbIV → vi CmVI → iVI → i ×20
Fm Cm Ebii → vi Cmiv → iminor plagal ×2

The move to watch is Ab → Cm, heard 20 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

4 semitones up
3 semitones down · capo 3 keeps the original pitch

The song's harmonic story

The first chord is Cm; the ear learns where home is within a second. The backbone is Cm, Bb, Ab, Gm — vi–V–IV–iii from the Eb side, i–VII–VI–v from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. Ending on Ab, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.