Sefo - Yerinde Dur Demet Akalın - Chord

Key A major – F# minor Chords C#m, Bm Easy key C

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Capo 0

C#m
Yerinde dur, o seni bulur ya
           Bm          
Biri olur, ellerin olur ya

C#m
Cadde de tur, nasıl unutur ya?
            Bm
Konuş otur, eller avutur ya

C#m
Vay vay vay, Demet ablam hoşgeldin
Otur be şöyle, G.cc.i takımlar şekilsin öyle
Kıyakmış ablam, bana da söyle
Reggeaton rap pop ya da rock
Yaptım hepsini sizden uzak
Kuruldu kankam kurdu tuzak
Daha kaz gelecek, lan sen ne salaksın

C#m
Benim daha iyi, sevin bari
Gökçeada’ya gel verim daireyi
“Gül Pansiyon” da evim gari
Alamadım hala bi Ferrari

C#m
Sen sen sen sen yedin naneyi
Nolcak nolcak evin hali
Dönmüş bir ton film dahi
Ayarladım 5 filinta iyiiii

C#m
Yerinde dur, o seni bulur ya
           Bm          
Biri olur, ellerin olur ya

C#m
Cadde de tur, nasıl unutur ya?
            Bm
Konuş otur, eller avutur ya

C#m
Sormadım şimdi kimle nerde
Bi’ şey duymadım ve görmedim
Onu utandıran bu cümlelerde
Gözleri kısılıyo gözleri

C#m
Özledim ben seni özledim
Bir minik tuttu sözleri
Yazdı tam kalbin üstüne
Sar beni sar sana göstereyim

C#m
Yerinde dur, o seni bulur ya
           Bm          
Biri olur, ellerin olur ya

C#m
Cadde de tur, nasıl unutur ya?
            Bm
Konuş otur, eller avutur ya

End of song Play again?

Sefo - Yerinde Dur Demet Akalın Tabs

NotesX

Harmony analysis

Sefo – Yerinde Dur Demet Akalın: key and chord analysis

The song opens on C#m and ends on Bm. Its chords belong to both A major and F#m, so every chord below is read both ways.

Major view

A major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G# (leading tone, pulls home)
4 = D (the note that leans on the 3rd)

Minor view

F# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = D (the minor's melancholy)
b7 = E (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between A major and F# minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from A major
Degree	Chord	Role	Notes	In song
I	A	Tonic — home	A · C# · E	—
ii	Bm	Supertonic — prepares the dominant	B · D · F#	6×
iii	C#m	Mediant — a tonic-family shade	C# · E · G#	11×
III	C#	Chromatic colour chordoutside the key	C# · E# · G#	—
IV	D	Subdominant — moves away from home	D · F# · A	—
V	E	Dominant — strongest pull home	E · G# · B	—
vi	F#m	Relative minor — the melancholy side	F# · A · C#	—
vii°	G#dim	Leading-tone chord — tension	G# · B · D	—

Seen from F# minor
Degree	Chord	Role	Notes	In song
i	F#m	Tonic — home	F# · A · C#	—
ii°	G#dim	Supertonic — prepares the dominant	G# · B · D	—
III	A	Relative major — the bright side	A · C# · E	—
iv	Bm	Subdominant — moves away from home	B · D · F#	6×
v	C#m	Minor dominant — soft pull	C# · E · G#	11×
V	C#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C# · E# · G#	—
VI	D	Submediant — warm colour	D · F# · A	—
VII	E	Subtonic — steps back to the tonic	E · G# · B	—

Analysis

The key pair is A major and its relative F# minor (3 sharps). 2 different chords appear 17 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With A major shapes

No capo — open A shapes
Capo 2 + G shapes
Capo 5 + E shapes

With F# minor shapes

Capo 2 + Em shapes
Capo 4 + Dm shapes

Easiest keys on guitar

3 semitones up
1 semitone up

The song's harmonic story

The opening C#m lays a solid floor for everything that follows. The chords that keep coming back are C#m, Bm; read them as iii–ii in A or v–iv in F#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bm, letting the A side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.