Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Nasıl Derler Bilirsin - Sen Gülümse - Chord
Key Gb major – Eb minor Chords Ebm, Bb7, Abm Easy key C (capo 6)
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Key: Gb | D#m | Ebm
Capo: 0
Abm Ebm Bb7 Ebm Ebm Bb7 Böyle güzel gülmeyi sen kimden öğrendin? Ebm Bb7 Bu ömrümde senin gibi biri görmedim Abm Ebm Hani şu yanımızda duran kara kedi Bb7 Ebm Anlamış gibi baktı seni sevdiğimi Abm Ebm Karşımızdan geçen beyaz gemiler Bb7 Ebm Alıp götürse bizi kötü mü olur? Bb7 Ebm Hatta kaçsak bizi zaten soran mı olur? Abm Ebm Sen gülümse ben idare ederim hayatı Bb7 Ebm Böyle geçinip gideriz işte fena mı? Abm Ebm Sen huzur musun bana tatlı bir bela mı? Bb7 Ebm Bu soruyu uzun yıllar tartışalım mı? Abm Ebm Bb7 Ebm Ebm Bb7 Burcu mu sordu sohbet bi′ hayli koyu Ebm Bb7 Duygusalız ya hemen tahminde bulundu Abm Ebm "Yengeç mi, balık mı?" dedi, yükselenin ikizler mi? Bb7 Ebm Anlamadım ben bu dili, dünde çalıştım halbuki Abm Ebm Kafam karıştı ama, anlarım zamanla Bb7 Ebm Senle her şeye varım ben ay tutulsa da Bb7 Ebm Merkür retrosunda girdim dar virajlara Abm Ebm "Yengeç mi, balık mı?" dedi, yükselenin ikizler mi? Bb7 Ebm Anlamadım ben bu dili, dünde çalıştım halbuki Abm Ebm Kafam karıştı ama, anlarım zamanla Bb7 Ebm Senle her şeye varım ben ay tutulsa da Bb7 Ebm Merkür retrosunda girdim dar virajlara Abm Ebm Sen gülümse ben idare ederim hayatı Bb7 Ebm Böyle geçinip gideriz işte fena mı? Abm Ebm Sen huzur musun bana tatlı bir bela mı? Bb7 Ebm Bu soruyu uzun yıllar tartışalım mı?
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Nasıl Derler Bilirsin - Sen Gülümse Tabs
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Harmony analysis
Nasıl Derler Bilirsin – Sen Gülümse: key and chord analysis
The song opens on Abm and ends on Ebm. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Minor view
Eb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Cb (the minor's melancholy)
- b7 = Db (natural-minor colour)
- #7 = D (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it comes to rest on Ebm, Ebm is heard 31 times while Gb never appears and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | — |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 12× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | — |
| V7/vi | Bb7 | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F · Ab | 19× |
| IV | Cb | Subdominant — moves away from home | Cb · Eb · Gb | — |
| V | Db | Dominant — strongest pull home | Db · F · Ab | — |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 31× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 31× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | — |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 12× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | — |
| V7 | Bb7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F · Ab | 19× |
| VI | Cb | Submediant — warm colour | Cb · Eb · Gb | — |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | — |
Analysis
The key pair is Gb major and its relative Eb minor (6 flats). 3 different chords appear 62 times in total; 2 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb7 is V7/vi, a secondary dominant heading for Ebm.
Chord movement
- Bb7 Ebm GbV7/vi → visecondary resolution EbmV7 → iharmonic-minor cadence ×17
- Abm Ebm Gbii → vi Ebmiv → iminor plagal ×12
The move to watch is Bb7 → Ebm, heard 17 times. From the Ebm side it is V7 → i (harmonic-minor cadence: the major V resolves dramatically); from the Gb side it reads V7/vi → vi (secondary resolution: Bb7 resolves a fourth up to Ebm). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
- Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
- Over Bb7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Abm, land on Ab, Cb, Eb — the chord's own tones always sound right on strong beats.
- When Bb7 comes, swap the scale's Db for D: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Gb major shapes
- Capo 2 + E shapes
- Capo 4 + D shapes
- Capo 6 + C shapes
With Eb minor shapes
- Capo 1 + Dm shapes
- Capo 6 + Am shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone up
The song's harmonic story
The first chord is Abm; the ear learns where home is within a second. The backbone is Ebm, Bb7, Abm — vi–V7/vi–ii from the Gb side, i–V7–iv from the Ebm side. Bb7 is the interesting twist: in Gb it is a chromatic chord (V7/vi), while in Ebm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Bb7 → Ebm (V7/vi → vi in Gb, V7 → i in Ebm): harmonic-minor cadence — the major V resolves dramatically. It closes on Ebm, letting the Ebm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Nasıl Derler Bilirsin - Sen Gülümse Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Alper AltıntaşMusic: Alper Altıntaş
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