Duman - Ben Senden Vazgeçmem - Chord

Key G major – E minor Chords E, Bm, F, G, F#, D Easy key F (capo 2)

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Capo 0

Bm                      F   E
Ben seni gördüğüm ilk anda
Bm                  F   E
Dondum kaldım karşında
Bm                   F   E
Sanki büyülü masallarda
E
Sanki büyülü masallarda

Bm                  F   E
Baygın baygın gözlerle
Bm                   F   E
Allı yanakları pespembe
Bm                    F   E
Bağladı beni zincirlerle
E
Bağladı beni zincirlerle

G                    F#
Aklımı benden çalsan da
                  E
Beni benden alsan da
                   D
Yerden yere vursan da
                 G      F#
Ben senden vazgeçmem, oooo
                 E
Sen benden vazgeçsen

G                     F#
Kendini benden çeksen de
                    E
Çok uzaklara kaçsan da
                  D
Öyle beni unutsan da
                 G      F#
Ben senden vazgeçmem, oooo
                 E
Sen benden vazgeçsen

Bm                      F   E
Beynimin içindeki seslerle
Bm                  F   E
Döndüm durdum gölgende
Bm                  F   E
Sensizlik bana işkence
E
Sensizlik bana işkence

Bm                      F   E
Şimdi değişti bütün dünyam
Bm                 F   E
Yandım yandım aşkımdan
Bm                  F   E
Seslenirim doksanlardan
E
Seslenirim doksanlardan

G                    F#
Aklımı benden çalsan da
                  E
Beni benden alsan da
                   D
Yerden yere vursan da
                 G      F#
Ben senden vazgeçmem, oooo
                 E
Sen benden vazgeçsen

G                     F#
Kendini benden çeksen de
                    E
Çok uzaklara kaçsan da
                  D
Öyle beni unutsan da
                 G      F#
Ben senden vazgeçmem, oooo
                 E
Sen benden vazgeçsen

Bm  F  Bm  F  Bm  F  E  E  G  F#  E  D  G  F#  E

Bm                    F   E
Sanma düşüncelerim kirli
Bm                 F   E
İçtim içtim sek viski
Bm                   F   E
Üstüne çizdim bir çizgi
E
Üstüne çizdim bir çizgi


Bm                      F
Ben seni gördüğüm ilk anda

End of song Play again?

Duman - Ben Senden Vazgeçmem Tabs

NotesX

Harmony analysis

Duman – Ben Senden Vazgeçmem: key and chord analysis

The song opens on Bm and ends on F. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the G major side because G is heard 10 times while Em never appears. That is an interpretation, not a rule — hearing the same chords from E minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	10×
ii	Am	Supertonic — prepares the dominant	A · C · E	—
iii	Bm	Mediant — a tonic-family shade	B · D · F#	19×
V/vi	B	Secondary dominant V/vi — leads to Emsecondary dominant	B · D# · F#	—
IV	C	Subdominant — moves away from home	C · E · G	—
V	D	Dominant — strongest pull home	D · F# · A	5×
vi	Em	Relative minor — the melancholy side	E · G · B	—
VI	E	Chromatic colour chordoutside the key	E · G# · B	32×
bVII	F	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	F · A · C	19×
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—
V/iii	F#	Secondary dominant V/iii — leads to Bmsecondary dominant	F# · A# · C#	10×

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	—
I	E	Chromatic colour chordoutside the key	E · G# · B	32×
bII	F	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	F · A · C	19×
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
V/v	F#	Secondary dominant V/v — leads to Bmsecondary dominant	F# · A# · C#	10×
III	G	Relative major — the bright side	G · B · D	10×
iv	Am	Subdominant — moves away from home	A · C · E	—
v	Bm	Minor dominant — soft pull	B · D · F#	19×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VI	C	Submediant — warm colour	C · E · G	—
VII	D	Subtonic — steps back to the tonic	D · F# · A	5×

Analysis

The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 95 times in total; 3 of them sit naturally inside the shared scale. F# acts as a secondary dominant, briefly pointing at another chord of the key. F is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

D G GV → Iauthentic cadence EmVII → III ×5

The move to watch is D → G, heard 5 times. From the G side it reads V → I (authentic cadence: the strongest arrival home); from the Em side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
On F, follow the chord's notes (F · A · C) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

2 semitones down · capo 2 keeps the original pitch
5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

Starting on Bm, the song gives away its key from the very first bar. The chords that keep coming back are E, Bm, F, G; read them as VI–iii–bVII–I in G or I–v–bII–III in Em. F# adds a moment of surprise: secondary dominant V/iii — leads to Bm. Keep an ear on D → G (V → I in G, VII → III in Em): authentic cadence — the strongest arrival home. The final chord is F; the ear comes to rest in G.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.