Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Funda Arar - Hafıza x Enbe Orkestrası - Chord
Key D major – B minor Chords F#m, Gmaj7, Em, A Easy key C (capo 2)
No ratings yet
or your user informations
Make it yours
Text size
Key: D | Bm
Capo: 0
F#m Gmaj7 F#m Gmaj7
F#m Gmaj7
Sen uyuyor musun uyuma uyuma
F#m
Kalk cesur ol biraz
Gmaj7 Em
Gel yanıma yanıma
Gmaj7
En azından hissedersin
Em F#m Gmaj7 A Gmaj7
Belki de bu şarkıyla gördüğün rüya bölünür of
Gmaj7
Daha önce ölmüş olsam
F#m
İnan bana senle tekrar ölünür ölünür
F#m
Hiç atası yok başkasına
Gmaj7
Kalbim ait oldu belki de bir tek sana sana
Em
Hiç arası yok ayrılıkla
F#m
O lafı duymak istemem ki asla bir daha bir daha
F#m Gmaj7
Hiç anısı yok başkasıyla sanki her şey birden gitti nerde hafıza hafıza
Em
Bi kaçası yok Allah Allah
F#m
Yoksa sende burdan gider miyiz sonsuza sonsuza
F#m Gmaj7
Sağ tarafa herkes sen soluma kalbin yanına
F#m Gmaj7 Em
Aşk itiyor bizi bu duruma onu suçlama
Gmaj7
En azından hissedersin
Em F#m Gmaj7 A Gmaj7
Belki de bu şarkıyla gördüğün rüya bölünür of
Gmaj7
Daha önce ölmüş olsam
F#m
İnan bana senle tekrar ölünür ölünür
F#m
Hiç atası yok başkasına
Gmaj7
Kalbim ait oldu belki de bir tek sana sana
Em
Hiç arası yok ayrılıkla
F#m
O lafı duymak istemem ki asla bir daha bir daha
F#m Gmaj7
Hiç anısı yok başkasıyla sanki her şey birden gitti nerde hafıza hafıza
Em
Bi kaçası yok Allah Allah
F#m
Yoksa sende burdan gider miyiz sonsuza sonsuza
End of song Play again?
Funda Arar - Hafıza x Enbe Orkestrası Tabs
NotesX
Harmony analysis
Funda Arar – Hafıza x Enbe Orkestrası: key and chord analysis
The song opens on F#m and ends on F#m. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 8× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 18× |
| III | F# | Chromatic colour chordoutside the key | F# · A# · C# | — |
| IVmaj7 | Gmaj7 | Subdominant — moves away from home | G · B · D · F# | 18× |
| V | A | Dominant — strongest pull home | A · C# · E | 2× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | — |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | — |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | 8× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 18× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VImaj7 | Gmaj7 | Submediant — warm colour | G · B · D · F# | 18× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 2× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 46 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gmaj7 A DIVmaj7 → VIV → V BmVImaj7 → VIIVI → VII ×2
The move to watch is Gmaj7 → A, heard 2 times. From the D side it reads IVmaj7 → V (IV → V: the lift that builds tension before home); from the Bm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over Gmaj7, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The opening F#m lays a solid floor for everything that follows. F#m, Gmaj7, Em, A carry the song: iii–IVmaj7–ii–V relative to D, v–VImaj7–iv–VII relative to Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gmaj7 → A (IVmaj7 → V in D, VImaj7 → VII in Bm): IV → V — the lift that builds tension before home. Ending on F#m, the song seals D as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Funda Arar - Hafıza x Enbe Orkestrası Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Sinan AkçılMusic: Sinan Akçıl
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.