Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Aleyna Tilki - Bir Gün Ol Yerimde - Chord
Key D major – B minor Chords F#m, G, A, B Easy key C (capo 2)
No ratings yet
or your user informations
Make it yours
Text size
Key: D | Bm
Capo: 0
F#m G F#m B A G
F#m G F#m
Sanma kayıyor yıldızlar bir dilek tut diye
G F#m
Sanmam yıllar cömert değil söyle ne verdi bize
G
Bu ne korku böyle uyumak düş kurmaktan da önde
A G F#m
Sen bir günde unuttun gibiydi ben hala senli günlerdeyim
F#m G F#m
Arıyordum söyle hangimizde yanlış
G F#m
Hani bizdik ikimizdik neden bir ben yandım
G F#m
Üstesinden gelemediğim şeyler de varmış
G F#m
Her gün ölmenin ismi aşkmış
F#m G
Öyle başını alıp gitmek kolay ya bir gün ol yerimde
F#m G
Savurup atmak kolay ya koştum hep peşinde
A G
Nedir ki bu cezam yakaydın ellerimden
A G F#m
Olsan yerimde biterdin her şekilde
A G F#m
Olsun kırılsada bu kalbim hep seninle
F#m G F#m
Boş ver, hatrı kalmadı kahvenin geçmeden bir gece
G F#m
Son ver, zaten güzelse günler elbet bitecek
G
Bu ne sondu böyle bir neden söyledin mi kaçtın öyle
F#m G F#m
Sen bir günde unuttun gibiydi ben hala senli günlerdeyim
F#m G F#m
Arıyordum söyle hangimizde yanlış
G F#m
Hani bizdik ikimizdik neden bir ben yandım
G F#m
Üstesinden gelemediğim şeyler de varmış
G F#m
Her gün ölmenin ismi aşkmış
Doğu Swag & Aleyna Tilki - Bir Gün Ol Yerimde
End of song Play again?
Aleyna Tilki - Bir Gün Ol Yerimde Tabs
NotesX
Harmony analysis
Aleyna Tilki – Bir Gün Ol Yerimde: key and chord analysis
The song opens on F#m and ends on F#m. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between D major and B minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | — |
| ii | Em | Supertonic — prepares the dominant | E · G · B | — |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 25× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 23× |
| V | A | Dominant — strongest pull home | A · C# · E | 5× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | — |
| VI | B | Chromatic colour chordoutside the key | B · D# · F# | 1× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | — |
| I | B | Chromatic colour chordoutside the key | B · D# · F# | 1× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | — |
| iv | Em | Subdominant — moves away from home | E · G · B | — |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 25× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 23× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 5× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 4 different chords appear 54 times in total; 3 of them sit naturally inside the shared scale. B step outside the scale as colour chords.
Chord movement
- G A DIV → VIV → V BmVI → VIIVI → VII ×3
The move to watch is G → A, heard 3 times. From the D side it reads IV → V (IV → V: the lift that builds tension before home); from the Bm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The opening F#m lays a solid floor for everything that follows. The chords that keep coming back are F#m, G, A, B; read them as iii–IV–V–VI in D or v–VI–VII–I in Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → A (IV → V in D, VI → VII in Bm): IV → V — the lift that builds tension before home. The final chord is F#m; the ear comes to rest in D.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Aleyna Tilki - Bir Gün Ol Yerimde Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Doğu SwagMusic: Doğu SwagArrangement: Berk Arda Büken
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.