Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Furkan Özsan - Rüya Gibi - Chord
Key Bb major – G minor Chords Gm, Eb Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Gm Durma gecelerim artık karışıyo derken gündüzlerime Eb Rüya gibi gelir aklıma kazılıyken yine her bir cümle Gm Dünya sokaklarını aç sensizliğe bugün adımlar atıyorum Eb Rüya gibi geliyosun ama yanımda yokken nefes alamıyorum Gm Sabretmek bana göre duyguların anlamını kaybetmek Eb İstanbul’u terk etmek gibi ama zamanla dans etmek Gm Ya da son süratle beni hadi kendine çek, dudaklarım kuru son bi nefes Eb Beni sevme kadın bitti heves, başkasında olan aşkını seç Gm Bi düşün hayal et ölmüyosun yine çağrılarıma kulak asmıyosun Eb Açıyosun ama beni duymuyosun ya da duyup da geceleri ağlıyosun Gm Kafanın içindeyim bilmiyosun ya da gizli gizli beni dinliyosun Eb Belki sende beni özlüyosun benim gibisin ama sevmiyosun Gm Ölmeden aşklara bak bi ara bende senin gibi var bak bi yara Eb Eski resimlere bak bi ara giysilerimi al yak bi ara Gm Sözlere anlam katma daha 5 yıl oldu bunu yapma bana Eb Yanlışı doğruyu tartma daha ellerimi tutup bakma bana Gm Efkar olma bana yak sigara söyleme beni yeni aşklarına Eb Eski ben değilim beni arama çünkü kapanabilirsin ayaklarıma Gm Şehrime kırmızı yağmurdun gözlerin anlattı ya sen sustun Eb Ben suçtum sokağına dert oldum kin kustum mazgala gece puslu Gm Yolumu kaybedip sana sordum yine adımlarımsa bi yöne doğru Eb Titredi eller suratıma seni sert çarpan rüzgara küfrüm sabit Gm Haftalar aylara mevsimlere muhtaç yıllar yazlara hep kötü başlar Eb İnsan bence bi lisan yok seni anlatan her sayfaya küsmüş şair Gm Düşmüş yine yıldızlara gidebilmekten başka Eb Umutlar inanıp saçları boyamış kaypaklara yine dertsiz şair Gm Kimine sorguyum şarabı Tanrı'nın yağmuru deldiği gök karın ağrısı Eb Kararınca ben bi karınca oldum kaf dağı yolları bi serçe kanadı Gm Mülteci olmak memleket olman saçların arasına dualar ektim Eb Gitmen gereken tüm şehirlerin bileklerine ben betonlar ektim Gm Durma gecelerim artık karışıyo derken gündüzlerime Eb Rüya gibi gelir aklıma kazılıyken yine her bir cümle Gm Dünya sokaklarını aç sensizliğe bugün adımlar atıyorum Eb Rüya gibi geliyosun ama yanımda yokken nefes alamıyorum
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Furkan Özsan - Rüya Gibi Tabs
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Harmony analysis
Furkan Özsan – Rüya Gibi: key and chord analysis
The song opens on Gm and ends on Eb. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 17 times while Bb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | — |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 17× |
| V | F | Dominant — strongest pull home | F · A · C | — |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 17× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 17× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | — |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 17× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 2 different chords appear 34 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Eb Gm BbIV → vi GmVI → iVI → i ×16
The move to watch is Eb → Gm, heard 16 times. From the Gm side it is VI → i (VI → i: falls a half step into home); from the Bb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Gm, the song gives away its key from the very first bar. The backbone is Gm, Eb — vi–IV from the Bb side, i–VI from the Gm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → Gm (IV → vi in Bb, VI → i in Gm): VI → i — falls a half step into home. Ending on Eb, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Furkan Özsan - Rüya Gibi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Furkan ÖzsanMusic: Furkan Özsan
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