Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Sinan Akçıl - Bu Aşk Yerde Kalmaz (Bengü-Hakan Altun) - Chord
Key Db major – Bb minor Chords Gb, Fm, Ab, Ebm Easy key D
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Key: Db | A#m | Bbm
Capo: 0
Fm Seni tanıdıgım günden beri Gb Gökyüzünde yıldızım ben Fm Senden başka herkes burda Gb Ama yine yalnızım ben Gb Bir acı var sol yanımda Fm Olsan ne olur sen yanımda Ebm Kaç harf varki senin adında Gb Hepsini attım hepsini yaktım Fm Ya gelip gitme ya gidip gelme Gb Bi daha benle bi rüya görme Ab Beni bi dinle bi daha bizden Gb Hiç bir şey olmaz Fm Ya sevip söyle ya söyle sevme Gb Ya uzun sürsün ya süre verme Ab Ama giderken şunu da bil de Gb Bu aşk yerde kalmaz Ona hiç bir şey olmaz Fm Gece yine seni düşününce Gb Hiç bitmeyen bir yasım ben Fm Milyonlarca insan varda Gb Senin gibi görmedim ben
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Sinan Akçıl - Bu Aşk Yerde Kalmaz (Bengü-Hakan Altun) Tabs
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Harmony analysis
Sinan Akçıl – Bu Aşk Yerde Kalmaz (Bengü-Hakan Altun): key and chord analysis
The song opens on Fm and ends on Gb. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Db major and Bb minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 1× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 7× |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 10× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 2× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 1× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 7× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 10× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 2× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 20 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×2
The move to watch is Gb → Ab, heard 2 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The first chord is Fm; the ear learns where home is within a second. The backbone is Gb, Fm, Ab, Ebm — IV–iii–V–ii from the Db side, VI–v–VII–iv from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. Ending on Gb, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sinan Akçıl - Bu Aşk Yerde Kalmaz (Bengü-Hakan Altun) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Sinan AkçılMusic: Sinan AkçılArrangement: Mili b
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