Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Rafet El Roman - Ömrümün Sahibi - Chord
Key F major – D minor Chords Am, Gm, Dm, A, Bb Easy key C (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Gm Gm Dm Dm
Dm Am
Bende kaybolanı, sende bulmak güzel
Gm Am
Yitip unutulanı, sende görmek güzel
Dm Am
Güzel demek yetmez, muhteşem olmalıyız
Gm A
Bakir bir yere, seninle varmalıyız
Bb Am
Bir umut gözlediğim, yıllardır beklediğim
Gm Dm BB
Kalbimin sahibisin sen, çırpınıyor yüreğim
Am Gm A Am
Ferman buyur ölürüm, ömrümün sahibisin sen
Gm Dm Am
Duy şu kalbimin vurduğu sesi
Gm Dm
Dilerim bitmesin bu tutku, sevgi
Am
Kulak ver dilimden dökülen sözlere
Gm Dm
Bir söz, bir evet bana versene
Gm A Dm
Evlenir misin benimle
Dm Am
Kader, kıymet budur, kısmet buna derim
Gm Am
Mutluluksa dileğim, seninle yaşamalı
Dm Am
Yaşamakla bitmez, muhteşem olmalıyız
Gm Am
Mucize bir yere, seninle varmalıyız
End of song Play again?
Rafet El Roman - Ömrümün Sahibi Tabs
NotesX
Harmony analysis
Rafet El Roman – Ömrümün Sahibi: key and chord analysis
The song opens on Gm and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 10 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 11× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 12× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 3× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 1× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 10× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 10× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 11× |
| v | Am | Minor dominant — soft pull | A · C · E | 12× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 3× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 1× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 37 times in total; 4 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.
Chord movement
- Gm Dm Fii → vi Dmiv → iminor plagal ×4
- Gm A Fii → V/vi Dmiv → Viv → V ×3
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×2
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×1
The move to watch is Gm → Dm, heard 4 times. From the Dm side it is iv → i (minor plagal: deep and melancholic); from the F side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The opening Gm lays a solid floor for everything that follows. The backbone is Am, Gm, Dm, A — iii–ii–vi–V/vi from the F side, v–iv–i–V from the Dm side. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gm → Dm (ii → vi in F, iv → i in Dm): minor plagal — deep and melancholic. Ending on Am, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Rafet El Roman - Ömrümün Sahibi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.