Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Melike Şahin - Olur Mu (Gazapizm) - Chord
Key F major – D minor Chords Dm, C, Gm, A Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm C Gm A
Dm
Bu evren içinde biliriz ölümlüyüz
Yalan mı gördüğümüz
C
Belki de tanımaz kimse hiç olmadık ancak
Bir yerde görülmüşüz
Gm
Zamanın çehresi asıktı biz hep gülmeye gönüllüydük
A
Bir yangının yanında buluşup senle konuşup görüşmüştük
Dm
Biz ki hasreti edeple yaşarız
Belki esefle taşırız
C
Belki de alırız zamanı geriye kuşumuz kafeste kalır
Gm
Küsmüş, yenilmiş aşk ki en başta babamı annemi tanır
A
Kalsan sığdıramadım ondan, gitsen dünya yarım
Dm
Olur mu
C
Doluya koysam durur mu
Gm
Neleri yüklendi omzum
A
Demedi bir gün yoruldum
Dm
Niye bu uyku
C
Hüzünün üstüne kuruldu
Gm
Delinip geçilemez bir kanun
A
Güneşi günümüze dar oldu
Dm C Gm A
Tüm şarkı boyunca aynı döngü devam eder
Bana dişlerini gıcırdatma
Bir temkinsiz yoldayız hep
Bir şarkı mı mırıldansak?
Bir yokluk ki azımsanmaz
Geçmez yalnızlık sarılsak da
Yarınlar var, yürünür belki hiç dağılmazsak
Bana her şeyi bir unuttursan
Kim teslim alır bulutlardan bu umudu
İçimde koşup durma ben yoruldum bir yerde öyle dursam
Ölüm böyle buysa
Yarınlar var, yürünür belki hiç dağılmazsak
Sonra her şeyi çocuklaştırmak
Bilirdik karşı çıkmaktı bu, büyüyüp yitmenin meşruluğuna
Ve de her koşulunda
Bir ömrün her rötuşunda
Mezhepler, halklar buluştu sanki
Sen gelip yanıma oturduğunda
İnan ki bilmem elimde değil
Nedendir ölüm diline değip
Eğdirir başını önüne senin?
Yıkık dökük bir evden çıktım
Bir sabah içimden özlemi silip
Yürüdüm düştüm umudum diri
Ki bu tepside sunulmuş değil!
Olur mu?
Doluya koysam durur mu?
Neleri yüklendi omzum
Demedi bir gün yoruldum
Niye bu uyku
Hüzünün üstüne kuruldu?
Delinip geçilemez bir kanun
Güneşi günümüze dar oldu
Bana dişlerini gıcırdatma
Bir temkinsiz yoldayız hep
Bir şarkı mı mırıldansak?
Bir yokluk ki azımsanmaz
Geçmez yalnızlık sarılsak da
Yarınlar var, yürünür belki hiç dağılmazsak
Bana her şeyi bir unuttursan
Kim teslim alır bulutlardan bu umudu içimde koşup durma
Ben yoruldum bir yerde öyle dursam
Ölüm böyle buysa
Yarınlar var, yürünür belki hiç dağılmazsak
Bırak
Uzak yollara
Bu düşü al
Bu düşü al
End of song Play again?
Melike Şahin - Olur Mu (Gazapizm) Tabs
NotesX
Harmony analysis
Melike Şahin – Olur Mu (Gazapizm): key and chord analysis
The song opens on Dm and ends on A. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm, Dm is heard 6 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 6× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 6× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | — |
| V | C | Dominant — strongest pull home | C · E · G | 6× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 6× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 6× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 6× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 6× |
| VI | Bb | Submediant — warm colour | Bb · D · F | — |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 6× |
Analysis
The key pair is F major and its relative D minor (1 flat). 4 different chords appear 24 times in total; 3 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.
Chord movement
- Gm A Fii → V/vi Dmiv → Viv → V ×6
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×5
The move to watch is Gm → A, heard 6 times. From the Dm side it is iv → V (iv → V: the minor side's tension builder); from the F side it reads ii → V/vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on Dm, the song gives away its key from the very first bar. The backbone is Dm, C, Gm, A — vi–V–ii–V/vi from the F side, i–VII–iv–V from the Dm side. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Gm → A (ii → V/vi in F, iv → V in Dm): iv → V — the minor side's tension builder. The final chord is A; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Melike Şahin - Olur Mu (Gazapizm) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Gazapizm - Melike ŞahinMusic: Ateş Berker ÖngörenArrangement: Ateş Berker Öngören
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