Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Cem Adrian - Keskin - Chord
Key Eb major – C minor Chords Cm, Ab, Fm, Eb, Gm, Eb5 Easy key G
No ratings yet
or your user informations
Make it yours
Text size
Key: Eb | Cm
Capo: 0
Cm Eb Ab
Bir savaşın sonundaki o yıkık dökük bi yerdeyim
Fm Cm
Yoruldum, yoruldum, yoruldum
Eb
Esir kalbim kimse bilmiyor
Ab
Bir katilin elindeyim
Fm Cm Eb5
Yenildim, yenildim, yenildim
Eb Ab
Bi yangındı bir ben yandım
Fm
Bile bile kandım
Cm
Çarpıyor
Gm Fm
Göğsüme bir yalnızlık şarkısı ah
Ab
İçimi çiziyor keskin
Cm
Susmuyor
Gm Fm
Geceyi tam ortasından vurup yine Ah
Ab
Kalbime batıyor keskin
End of song Play again?
Cem Adrian - Keskin Tabs
NotesX
Harmony analysis
Cem Adrian – Keskin: key and chord analysis
The song opens on Cm and ends on Ab. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 5 times against 4 for Eb. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | 3× |
| I | Eb5 | Tonic — home | Eb · Bb | 1× |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 5× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 2× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 5× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | — |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 5× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 5× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | 3× |
| III | Eb5 | Relative major — the bright side | Eb · Bb | 1× |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 5× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 2× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 5× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | — |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 21 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Fm Cm Ebii → vi Cmiv → iminor plagal ×3
- Ab Cm EbIV → vi CmVI → iVI → i ×1
The move to watch is Fm → Cm, heard 3 times. From the Cm side it is iv → i (minor plagal: deep and melancholic); from the Eb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 4 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Cm, Ab, Fm, Eb; read them as vi–IV–ii–I in Eb or i–VI–iv–III in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Fm → Cm (ii → vi in Eb, iv → i in Cm): minor plagal — deep and melancholic. Ending on Ab, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Cem Adrian - Keskin Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Cem Adrian
Music: Cem Adrian
Arrangement: Cem Adrian
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.