Bedo - Sana Ne - Chord

Key Eb major – C minor Chords Cm, Gm, Ab, Bb Easy key C (capo 3)

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Capo 0

Cm  Gm  Ab  Bb

Cm             Gm                      Ab
Ölüyordum sandın ya, hep üzerine alındın ya
                   Bb                 Cm
Senin için mi yandım ah, sana ne sana ne
                Gm                     Ab
Düşüyorsun gözlerden, biliyorsun hiç sevmem
              Bb                 Cm
Artık komik gelmem, bana ne bana ne

Cm                          Gm
Bakıyosun öyle yine mağrur, bi kere de gül ya ellerimi doldur
Ab                     Bb
Benim gözlerime kasvet hayalim olma iteleme nolur
Cm                    Gm
Canım acısada gitmem, yeniden doluyorum kolaya bitmem
Ab                    Bb
Geri kalamıyo hasret, dayandım olmaz, bi yere gitme

Cm          Gm            Ab
Zor gelir geçer, olduğu kadar
           Bb             Cm
Yok edip gider, dolduğu kadar


Cm             Gm                      Ab
Ölüyordum sandın ya, hep üzerine alındın ya
                   Bb                 Cm
Senin için mi yandım ah, sana ne sana ne
                Gm                     Ab
Düşüyorsun gözlerden, biliyorsun hiç sevmem
              Bb                 Cm
Artık komik gelmem, bana ne bana ne

Cm
Tüm savaşlar aşkla başlar
                     Gm
Senin ki başkalaşmak dilinde laçka laflar var belirsiz baştan aşağı
Ab
Dizlerim yorgun artık dehlizleri atlamaktan
Bb
Gözlerim çift görüyor gerçekleri saklamaktan
Cm
Yalandan ağlamansa sıkmıyor bak hiç canımı
Gm
Bugün güneş vurdu aydınlattı zindanımı
Ab
Olayın tadını çıkart sileyim adını
Bb
Bugünü yalan olanın doğrusu yarını
Cm
Dilim merdivendi kendi kendine
                 Gm
Dikenli yolların ayağıma batmasıydı saçmalık
                   Ab                                             Bb
Bu tarz kalıplarım tüm aksırıklarımla denk değil kaçmadım ki hastalıktan 

Sade duraksadım ırak sanıp

End of song Play again?

Bedo - Sana Ne Tabs

NotesX

Harmony analysis

Bedo – Sana Ne: key and chord analysis

The song opens on Cm and ends on Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 14 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	—
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	11×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	11×
V	Bb	Dominant — strongest pull home	Bb · D · F	11×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	14×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	14×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	—
v	Gm	Minor dominant — soft pull	G · Bb · D	11×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	11×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	11×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 4 different chords appear 47 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×11
Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×10

The move to watch is Ab → Bb, heard 11 times. From the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Cm lays a solid floor for everything that follows. The backbone is Cm, Gm, Ab, Bb — vi–iii–IV–V from the Eb side, i–v–VI–VII from the Cm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): VI → VII — the rising step that heads for the tonic. Ending on Bb, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Bedo - Sana Ne Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Repertoires with this song

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Lyrics: Bedo, POS

Music: Efe Can

Arrangement: Efe Can

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