Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Metin Özülkü - Aramadın Aylardır (Eda Özülkü) - Chord
Key Ab major – F minor Chords Eb, Fm, Db, C7, Bbm, Ab, Cm, Abmaj7 Easy key G (capo 1)
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Key: Ab | Fm
Capo: 0
Fm
Buna can denir, a canım
Eb
Yaralıyım, dokunma
Db Eb Db C7
Belki de halimi bir gören vardır
Fm
Bana aşk denir, a canım
Eb
Kaderime dokunma
Db Eb Db C7
Kim bilir bir yerde bekleyen vardır
Ab Eb Fm C7
Sadece sen misin benim ilacım
Bbm Fm Eb
Sen misin sadece hayalim, Tanrım
Bbm
Aramadın, ah, aylardır
Cm
Göremedim, her gün yandım
Bbm Eb
Yüreğime binbir sancı
Abmaj7
Neredesin, hasret kaldım
End of song Play again?
Metin Özülkü - Aramadın Aylardır (Eda Özülkü) Tabs
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Harmony analysis
Metin Özülkü – Aramadın Aylardır (Eda Özülkü): key and chord analysis
The song opens on Fm and ends on Abmaj7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it comes to rest on Ab, it opens on Fm, Fm is heard 4 times against 2 for Ab and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 1× |
| Imaj7 | Abmaj7 | Tonic — home | Ab · C · Eb · G | 1× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 3× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 1× |
| V7/vi | C7 | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G · Bb | 3× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 4× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 7× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 4× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 4× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 1× |
| IIImaj7 | Abmaj7 | Relative major — the bright side | Ab · C · Eb · G | 1× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 3× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 1× |
| V7 | C7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G · Bb | 3× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 4× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 7× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 8 different chords appear 24 times in total; 7 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C7 is V7/vi, a secondary dominant heading for Fm.
Chord movement
- Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×2
- C7 Fm AbV7/vi → visecondary resolution FmV7 → iharmonic-minor cadence ×1
- Eb Abmaj7 AbV → Imaj7authentic cadence FmVII → IIImaj7 ×1
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×1
- Bbm Fm Abii → vi Fmiv → iminor plagal ×1
- Bbm Eb Abii → Vii → V Fmiv → VII ×1
The move to watch is Db → Eb, heard 2 times. From the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- When C7 comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 4 semitones up
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The chords that keep coming back are Eb, Fm, Db, C7; read them as V–vi–IV–V7/vi in Ab or VII–i–VI–V7 in Fm. C7 is the interesting twist: in Ab it is a chromatic chord (V7/vi), while in Fm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): VI → VII — the rising step that heads for the tonic. Ending on Abmaj7, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Metin Özülkü - Aramadın Aylardır (Eda Özülkü) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Eda Özülkü · Metin ÖzülküMusic: Eda Özülkü · Metin Özülkü
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