Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Kendimden Hallice - Üzülmeye Nereden Başlasak - Chord
Key Eb major – C minor Chords Gm, Cm, Fm, Bb, Ab Easy key C (capo 3)
No ratings yet
or your user informations
Make it yours
Text size
Key: Eb | Cm
Capo: 0
Cm Gm Fm Ab Bb
Cm
Değişmiş hep buraların düzeni
Gm
Kaç zaman olmuş senin beni üzeli
Cm
Kalbim şimdi saymaya başlasa
Gm
Anca biter
Fm
Neşem de kalmadı içimde biraz
Gm
Herkes değişiyo içince biraz
Ab Bb
Ah ben üzülmeye nerden başlasam
Cm
Serinim bu ara ama güneşşsiz değil
Gm
Sen de güldün ama dikensiz değil
Cm
Bana gülsen bir kere hiç ağlamam
Gm
Yemin ederim
Fm
Bi aralar aklımda nadirendin
Gm
Bu günlerde en güzel badiremsin
Ab Bb
Senin ikliminde gözümden yağmur akar
Cm
Sana kalbimi bağladım ipi koptu
Gm
Yüreğimi dağladım acı çoktu
Fm
Ağlaya ağlaya göz kurudu
Ab Bb
Eş dost aradım işi çoktu
Cm Bb Fm Gm Cm
Cm
O treni bi kere kaçırdım
Bb
Yüze yüze baya açıldım
Fm
Derdin beni boğar okurum seni ama
Gm
Anlamam hiç bi zaman
Cm
Sana kalbimi bağladım ipi koptu
Gm
Yüreğimi dağladım acı çoktu
Fm
Ağlaya ağlaya göz kurudu
Ab Bb
Eş dost aradım işi çoktu
End of song Play again?
Kendimden Hallice - Üzülmeye Nereden Başlasak Tabs
NotesX
Harmony analysis
Kendimden Hallice – Üzülmeye Nereden Başlasak: key and chord analysis
The song opens on Cm and ends on Bb. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Minor view
C minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Ab (the minor's melancholy)
- b7 = Bb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 10 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 7× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 11× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 5× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 7× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 10× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 10× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 7× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 11× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 5× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 7× |
Analysis
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 40 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×5
- Bb Cm EbV → videceptive cadence CmVII → iAeolian arrival ×4
- Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×4
The move to watch is Ab → Bb, heard 5 times. From the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Eb major shapes
- Capo 1 + D shapes
- Capo 3 + C shapes
- Capo 6 + A shapes
With C minor shapes
- Capo 3 + Am shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
Starting on Cm, the song gives away its key from the very first bar. The chords that keep coming back are Gm, Cm, Fm, Bb; read them as iii–vi–ii–V in Eb or v–i–iv–VII in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): VI → VII — the rising step that heads for the tonic. Ending on Bb, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Kendimden Hallice - Üzülmeye Nereden Başlasak Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Ozan ÖzalpMusic: Ozan ÖzalpArrangement: Kendimden Hallice
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.