Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Mavi Gri - Bu Kız Benim Kaderim - Chord
Key C major – A minor Chords Em, Am, Dm, F, D, Cm Difficulty already in its easiest key
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Key: C | Am
Capo: 0
Am Am Am F Em D Cm
Am Am Am F Em D Cm
F Em D Cm F Em D Cm
Am Em Dm Em Am Em Dm Em
Dm Em F Em F Em Am
Am
Ağır olacak
Dm
Onlar seni soracak
Em Dm Am
Gözlerim dolacak bu gidişle
Am
Kapanmayan yaram
Dm
Seninle tüm hatıram
Em Dm Am
Hep beni yoracak bu gidişle
Am Dm
Nolur bitmesin
Em F Em
Seni nasıl unutur silerim
Dm Em
Nasıl anılara çarpmadan geçerim
F Em
Ama bu kız benim kaderim
Dm Em
Ben ona boyun eğmeliyim
F Em Dm Em
Uğrunda kendimi büsbütün mağlup etmeliyim
Am Em Dm Em
Bu gönül sensizliğe hiç razı değil
Am Em Dm Em
Seviyorum deliler gibi elimde değil
F Em F
Çoktan unuttum gel olanları
Em
Duruldum gel
F Em Am
Kim haklı kim haksız önemli değil
End of song Play again?
Mavi Gri - Bu Kız Benim Kaderim Tabs
NotesX
Harmony analysis
Mavi Gri – Bu Kız Benim Kaderim: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am and Am is heard 17 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| i | Cm | Chromatic colour chordoutside the key | C · Eb · G | 4× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 13× |
| II | D | Chromatic colour chordoutside the key | D · F# · A | 4× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 27× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 12× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | 17× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 17× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iii | Cm | Chromatic colour chordoutside the key | C · Eb · G | 4× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 13× |
| IV | D | Major IV — Dorian / melodic-minor colourmodal colour | D · F# · A | 4× |
| v | Em | Minor dominant — soft pull | E · G · B | 27× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 12× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 77 times in total; 4 of them sit naturally inside the shared scale. D, Cm step outside the scale as colour chords.
Chord movement
- Em Am Ciii → vi Amv → inatural-minor cadence ×5
- Dm Am Cii → vi Amiv → iminor plagal ×2
The move to watch is Em → Am, heard 5 times. From the Am side it is v → i (natural-minor cadence: gentle, modal arrival); from the C side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The chords that keep coming back are Em, Am, Dm, F; read them as iii–vi–ii–IV in C or v–i–iv–VI in Am. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em → Am (iii → vi in C, v → i in Am): natural-minor cadence — gentle, modal arrival. It closes on Am, letting the Am side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mavi Gri - Bu Kız Benim Kaderim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Akif AlkanMusic: Akif Alkan
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