Emre Fel - Vura Vura - Chord

Key Db major – Bb minor Chords Db, Gb, Ab, Fm, Ebm Easy key D

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Capo 0

Db
Vura vura sırtım aman
Fm
Dar topuklu kundurayı
Ebm      Gb
Ardım tozdur önüm duman
Ab
Vardım dağın yamacına

Db
Vara vara vardım aman
Fm
Naz gelinin can dağına
Ebm       Gb
Gerdanına dizdim aman
Ab                    Db
Üç beş halka, bindallıyı

Gb       Ab            Db
Ahu bu bakışlara can feda

Db  Fm  Ebm  Gb  Ab

Db
Kara haber aldım aman
Fm
Yokladı feryad bağrımı
Ebm       Gb
Ne hal bu derde dayanam
Ab
Dar'a yazmışlar bahtımı 

Db
Doya doya gezdim aman
Fm
Naz gelinle yayla, bağı
Ebm         Gb
Şimdi halım müşkül aman
Ab
Düşünmedim ayrılığı

Gb       Ab            Db
Ahu bu bakışlara can feda

End of song Play again?

Emre Fel - Vura Vura Tabs

NotesX

Harmony analysis

Emre Fel – Vura Vura: key and chord analysis

The song opens on Db and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Db major side because it both starts and finishes on Db and Db is heard 8 times while Bbm never appears. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	8×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	5×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	5×
III	F	Chromatic colour chordoutside the key	F · A · C	—
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	7×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	7×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	—
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	—
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	8×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	5×
v	Fm	Minor dominant — soft pull	F · Ab · C	5×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VI	Gb	Submediant — warm colour	Gb · Bb · Db	7×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	7×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 32 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×7
Ab Db DbV → Iauthentic cadence BbmVII → III ×6

The move to watch is Gb → Ab, heard 7 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone up
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Db lays a solid floor for everything that follows. The backbone is Db, Gb, Ab, Fm — I–IV–V–iii from the Db side, III–VI–VII–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. It closes on Db, letting the Db side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.