Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Ab, Gm, Cm, Fm, Bb Easy key G
Cm Ab
Yanımda yoksan yararsızam
Cm Gm
Ölüm yagalım gararsızam
Bb Ab
Ne mecnunam Leylasızım
Fm Ab Gm
Gel tut elimden gedek burdan
Gm Ab
Seninle her zmaan her şeye varam
Gm Ab Cm
Senden başkası olsun mene haram
Ab
İzin verme ki kanasın bu yaram
Fm Ab Gm
Gel tut elimden gedek burdan
Gm Ab
Yaşama hevesim sensen bunu bil
Gm Ab Cm
Senden doymaram geçse de yüz yıl
Ab
Boşu boşuna demiyor bu dil
Fm Ab Gm
Gel tut elimden gedek burdan
Cm Ab
Yanımda yoksan yararsızam
Cm Gm
Ölüm yagalım gararsızam
Bb Ab
Ne mecnunam Leylasızım
Fm Ab Gm
Gel tut elimden gedek burdan
Gm Ab
Gözüm görmez inan senden ötesini
Gm Ab Cm
Sene bağladır hep sensen nefesim
Ab
Dinleme sözüni ne olar hiç kimsenin
Fm Ab Gm
Gel tut elimden gedek burdan
Gm Ab
Ne gecem var ne gündüzüm kabustur
Gm Ab Cm
Bu yüreğim ellerinde mahpustur
Ab
Deyirler yıkılanan olmazmış dostu
Fm Ab Gm
Gel tut elimden gedek burdan
Cm Ab
Yanımda yoksan yararsızam
Cm Gm
Ölüm yagalım gararsızam
Bb Ab
Ne mecnunam Leylasızım
Fm Ab Gm
Gel tut elimden gedek burdan
End of song Play again?
Harmony analysis
The song opens on Cm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because it opens on Cm and Cm is heard 10 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 7× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 18× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 25× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 3× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 10× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 10× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 7× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 18× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 25× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 3× |
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 63 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab → Cm, heard 7 times. From the Cm side it is VI → i (VI → i: falls a half step into home); from the Eb side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Cm lays a solid floor for everything that follows. The chords that keep coming back are Ab, Gm, Cm, Fm; read them as IV–iii–vi–ii in Eb or VI–v–i–iv in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Cm (IV → vi in Eb, VI → i in Cm): VI → i — falls a half step into home. Ending on Gm, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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