Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Ecem Erkek - Nereden Bileceksiniz - Chord
Key Bb major – G minor Chords Eb, Dm, Gm, Cm, F, Bbmaj7 Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Gm F Eb Dm
Dm
Üstüm başım toz içinde
Eb
Önüm arkam pus içinde
F
Sakallarım pas içinde
Gm Eb
Siz benim nasıl yandığımı
Eb Dm
Nereden bileceksiniz
Gm Eb
Siz benim nasıl yandığımı
Cm Dm
Nereden bileceksiniz
Gm Eb F
Bir fidandım derildim
Bbmaj7
Fırtınaydım duruldum
Cm
Yoruldum çok yoruldum
Gm Eb
Siz benim neler çektiğimi
Cm Dm
Nereden bileceksiniz
Gm Eb
Siz benim neler çektiğimi
Cm Dm
Nereden bileceksiniz
Dm
Taş duvarlar yıkıp geldim
Eb
Demirleri söküp geldim
F Gm
Hayatımı yakıp geldim hey
Gm Eb
Siz benim neden kaçtığımı
Cm Dm
Nereden bileceksiniz
Dm
Gökte yıldız söner şimdi
Eb
Annem beni anar şimdi
F
Sevdiğim var kanar şimdi
Gm Eb
Siz benim niye içtiğimi
Cm Dm
Nereden bileceksiniz
Gm Eb
Siz benim niye içtiğimi
Cm Dm
Nereden bileceksiniz
Gm Eb
Bir pınardım kan oldum
Dm
Yol kenarı han oldum
Cm Eb
Yanıldım ah ziyan oldum
Gm Eb
Siz benim neden sustuğumu
Cm Dm
Nereden bileceksiniz
Gm Eb
Siz benim neden sustuğumu
Cm Dm
Nereden bileceksiniz
Dm
Ben ardımda yaş bıraktım
Eb
Ağlayan bir eş bıraktım
F Gm
Sol yanımı boş bıraktım hey
Gm Eb
Siz benim kime küstüğümü
Cm Dm
Nereden bileceksiniz
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Ecem Erkek - Nereden Bileceksiniz Tabs
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Harmony analysis
Ecem Erkek – Nereden Bileceksiniz: key and chord analysis
The song opens on Gm and ends on Dm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm and Gm is heard 15 times against 1 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Bbmaj7 | Tonic — home | Bb · D · F · A | 1× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 11× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 16× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 19× |
| V | F | Dominant — strongest pull home | F · A · C | 6× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 15× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 15× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| IIImaj7 | Bbmaj7 | Relative major — the bright side | Bb · D · F · A | 1× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 11× |
| v | Dm | Minor dominant — soft pull | D · F · A | 16× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 19× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 6× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 68 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×6
- Eb F BbIV → VIV → V GmVI → VIIVI → VII ×5
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×4
- F Bbmaj7 BbV → Imaj7authentic cadence GmVII → IIImaj7 ×1
- Cm Gm Bbii → vi Gmiv → iminor plagal ×1
- Eb Gm BbIV → vi GmVI → iVI → i ×1
The move to watch is Dm → Gm, heard 6 times. From the Gm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Bb side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on Gm, the song gives away its key from the very first bar. The chords that keep coming back are Eb, Dm, Gm, Cm; read them as IV–iii–vi–ii in Bb or VI–v–i–iv in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dm → Gm (iii → vi in Bb, v → i in Gm): natural-minor cadence — gentle, modal arrival. The final chord is Dm; the ear comes to rest in Bb.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ecem Erkek - Nereden Bileceksiniz Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yusuf HayaloğluMusic: Ahmet Kaya
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