Timuçin Esen - Mutlu Ol Yeter - Chord

Key Ab major – F minor Chords Db, Eb, Cm, Fm, Bbm, Ab Easy key G (capo 1)

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Fm  Db  Db  Eb  Eb  Fm  Eb  Fm  Eb  Db  Cm

Cm  Cm

Ab 
Belkide dilinden bu şarkı düşmez
           Eb   Bbm       Cm     Eb  Db
Dilin söylesede gönlün hissetmez
Eb          Db    Cm         Bbm
Bilsen bile benim için farketmez
Eb           Db     Cm
Bir tek dileğim var mutlu ol yeter

Eb  Db  Bbm  Cm  Db  Fm

Fm                  Eb
Bunu sana yazdığımı bilmezsin
                       Db
Bir yabancı şarkı gibi dinlersin
           Ab                  Db
Benim için önce tanrı sonra sensin
Eb                  Db      Cm
Bir tek dileğim var mutlu yeter

Fm  Db  Db  Eb  Eb  Fm  Eb  Fm  Eb  Db  Cm

Cm  Cm

Ab
Kimse dolduramaz inan yerini
           Eb  Bbm     Cm   Eb  Db
Bu şarkıda aşkımızın yemini
Eb          Db     Cm          Bbm
Hiç düşünme mecnun muyum deli mi
Eb          Db      Cm
Bir tek dileğim var mutlu ol yeter

Eb  Db  Bbm  Cm  Db  Fm

Fm                 Eb
Bu şarkımda aşkımı anlattım sana
                       Db
Duymazsan sevgilim üzülmem buna
           Ab                  Db
Alıştım yıllardır ben yokluğuna
Eb                  Db      Cm
Bir tek dileğim var mutlu ol yeter

End of song Play again?

Timuçin Esen - Mutlu Ol Yeter Tabs

NotesX

Harmony analysis

Timuçin Esen – Mutlu Ol Yeter: key and chord analysis

The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it opens on Fm and Fm is heard 10 times against 4 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	4×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	6×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	16×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	22×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	22×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	10×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	10×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	4×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	6×
v	Cm	Minor dominant — soft pull	C · Eb · G	16×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	22×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	22×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 80 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×6
Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×4
Db Ab AbIV → Iplagal cadence FmVI → III ×2
Bbm Eb Abii → Vii → V Fmiv → VII ×2
Db Fm AbIV → vi FmVI → iVI → i ×2
Cm Fm Abiii → vi Fmv → inatural-minor cadence ×1

The move to watch is Db → Eb, heard 6 times. From the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Ab side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Fm, the song gives away its key from the very first bar. The backbone is Db, Eb, Cm, Fm — IV–V–iii–vi from the Ab side, VI–VII–v–i from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): VI → VII — the rising step that heads for the tonic. It closes on Cm, letting the Ab side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Timuçin Esen - Mutlu Ol Yeter Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

Find something to play next

Ready-made lists by difficulty and mood.

Lyrics: Tahir Paker

Music: Burhan Bayar

Report error for this content report.

All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.

🎤 Timuçin Esen Chords

🎲 Random Chords in the Key of Ab

View All →