Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Ferah Zeydan - Bırakın Bu İşleri (Turgay Saka) - Chord
Key Bb major – G minor Chords Dm, Cm, F, Eb Easy key C
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Key: Bb | Gm
Capo: 0
Dm F Cm
O son kadehi içmeyecektim
Dm F Cm Dm
Son sözleri söylemeyecektim
F Cm
Düşman dillere laf ver meyecektim
Dm F Cm Dm
O son kadehe düşmeyecektim
Dm
Dağıttım yine incecen inceye bu gece
Efkar çöktü nak iyice şu bahtsız kalbime
Eb
Üzerime üzerime geliyor geçmişim
Cm Dm
O son kadehi içmeyecektim
Dm F Cm
O son kadehi içmeyecektim
Dm F Cm Dm
Son sözleri söylemeyecektim
F Cm
Düşman dillere laf vermeyecektim
Dm F Cm Dm
O son kadehe düşmeyecektim
Dm
Pişmanlık fayda etmiyor olmuşa bitmişe
Vuruyor herkes sövüyo gelmişe geçmişe
Eb
Ulan bi kişide çıkıp demiyo ki şöyle
Cm
Bırakın bu işleri ne hale geldik be
End of song Play again?
Ferah Zeydan - Bırakın Bu İşleri (Turgay Saka) Tabs
NotesX
Harmony analysis
Ferah Zeydan – Bırakın Bu İşleri (Turgay Saka): key and chord analysis
The song opens on Dm and ends on Cm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | — |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 10× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 13× |
| III | D | Chromatic colour chordoutside the key | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 2× |
| V | F | Dominant — strongest pull home | F · A · C | 8× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | — |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | — |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | — |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 10× |
| v | Dm | Minor dominant — soft pull | D · F · A | 13× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 2× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 8× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 4 different chords appear 33 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The first chord is Dm; the ear learns where home is within a second. Dm, Cm, F, Eb carry the song: iii–ii–V–IV relative to Bb, v–iv–VII–VI relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Cm, letting the Bb side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Ferah Zeydan - Bırakın Bu İşleri (Turgay Saka) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Zafer KereyMusic: Turgay SakaArrangement: Atınç Tombak
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