İkiye On Kala - Beni Çek - Chord

Key Eb major – C minor Chords Bb, Cm, G, Gm, Eb, Ab, Fm Easy key C (capo 3)

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Capo 0

Cm               Bb              Gm
Öyle bi yerde ki dövmesi bayılıyorum
     Cm             Bb           Gm
Beni anlamanı değil öpmeni istiyorum

    Cm                 Eb
Gülüşün güzel ama sana gül diyemem
    Bb              Gm
Yanıyo kalbimin ucu söndüremem
   Ab              Fm       G
Dünya düz dese bile yok diyemem
  Cm              Eb
Aldı kalbimi geri ver diyemem
   Bb            Gm 
Nerden çıktın karşıma bilemem
    Ab            Bb       G
Sen her gün gelsen yok diyemem

     Cm        Eb
Beni çek içine öyle kal
     Bb       Gm
Ateş et ya da seninim al
    Ab            Fm
da unuttur kendimi
     G
Sana hala deli gibi

Cm                Bb           G
Senden yana değil onlar bilmiyosun
Cm            Bb              G
Sanki belanı arıyo da bulamıyosun
Cm                Bb            G
Öyle bi bakıyosun ömrümü uzatıyosun
Cm              Bb              G
Çok numaran var değerini bilmiyosun

    Cm                 Eb
Gülüşün güzel ama sana gül diyemem
    Bb              Gm
Yanıyo kalbimin ucu söndüremem
   Ab              Fm       G
Dünya düz dese bile yok diyemem
  Cm              Eb
Aldı kalbimi geri ver diyemem
   Bb            Gm 
Nerden çıktın karşıma bilemem
    Ab            Bb       G
Sen her gün gelsen yok diyemem

     Cm        Eb
Beni çek içine öyle kal
     Bb       Gm
Ateş et ya da seninim al
    Ab            Fm
da unuttur kendimi
     G
Sana hala deli gibi

Cm              Bb
Ben ateştim sen kundakçı
     G
Öyle gülmesen bunlar olmazdı
 Cm             Bb
Uçuş modundayım yıllardır
      G
Artık öpsen de uyansam mı

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İkiye On Kala - Beni Çek Tabs

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Harmony analysis

İkiye On Kala – Beni Çek: key and chord analysis

The song opens on Cm and ends on G. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)
#7 = B (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C minor side because it opens on Cm, Cm is heard 14 times against 6 for Eb and the major V chord points straight at Cm. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	6×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	4×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	8×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	12×
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	6×
V	Bb	Dominant — strongest pull home	Bb · D · F	16×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	14×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	14×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	6×
iv	Fm	Subdominant — moves away from home	F · Ab · C	4×
v	Gm	Minor dominant — soft pull	G · Bb · D	8×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	12×
VI	Ab	Submediant — warm colour	Ab · C · Eb	6×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	16×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 7 different chords appear 66 times in total; 6 of them sit naturally inside the shared scale. The major V of Cm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Eb, the same G is V/vi, a secondary dominant heading for Cm.

Chord movement

G Cm EbV/vi → vi CmV → iharmonic-minor cadence ×11
Fm G Ebii → V/vi Cmiv → Viv → V ×4
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×2
Ab Bb EbIV → VIV → V CmVI → VIIVI → VII ×2

The move to watch is G → Cm, heard 11 times. From the Cm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Eb side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
When G comes, swap the scale's Bb for B: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The first chord is Cm; the ear learns where home is within a second. The chords that keep coming back are Bb, Cm, G, Gm; read them as V–vi–V/vi–iii in Eb or VII–i–V–v in Cm. G is the interesting twist: in Eb it is a chromatic chord (V/vi), while in Cm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on G → Cm (V/vi → vi in Eb, V → i in Cm): harmonic-minor cadence — the major V resolves dramatically. Ending on G, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

İkiye On Kala - Beni Çek Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Uras

Music: Uras

Arrangement: Furkan Yekta Özgenç ve Uras

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