Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Mavi Gri - Kır Çiçeğim - Chord
Key Bb major – G minor Chords Dm7, F, Cm7, Eb, Ebmaj7, Bb, Gm, Dm Easy key C
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Key: Bb | Gm
Capo: 0
Ebmaj7 Dm7 F Cm7 Eb F
Ebmaj7 Dm7 F
Yerine sevebilmeyi çok istedim ama
Eb F
Ben sadece senin ellerinde değerliyim
Ebmaj7 Dm7 F
Mutluluk saçabilmenin kaç aşk bedeli var
Eb F
Bilmem o kadar masrafa değer miyim
Cm7 Eb Dm7 F
Bir gün senden bir şey istersem
Eb Bb F
Ya benim ol ya da karşıma hiç çıkma diye
Cm7 Eb Dm7 F
Uslandım kaç kere hırslandım
Cm7 Eb Bb F
Hayallere yaslandım ama nerde
Gm
Bir bakışın benim kalp atışım
Cm7 Dm7
Kabuslardan uyanışım
Ebmaj7 Dm
Olmalısın benim olmalısın
Cm7 Dm7
Nefes gibi göğsüme dolmalısın
Gm
Bir kalp kaç kez kırılabilir
Cm7 Dm7
Tamiri çok zor olabilir
Ebmaj7 Dm7
Kır çiçeğim sana doymalıyım
Cm7 Dm7
Böyle dargın olmayalım
Gm Dm7 Cm7 Dm7 Ebmaj7 Dm7 Cm7 Dm7
Ebmaj7 Dm7 F
Yeniden başlamayı çok düşündüm ama
Eb F
Aldığım yaralardan kımıldayamıyorum hala
Ebmaj7 Dm7 F
İnan söndüremedim ateşlerde yüreğim
Eb F
Verilir mi bir şans daha bir kez daha
Cm7 Eb Dm7 F
Bir gün senden bir şey istersem
Eb Bb F
Ya benim ol ya da karşıma hiç çıkma diye
Cm7 Eb Dm7 F
Uslandım kaç kere hırslandım
Cm7 Eb Bb F
Hayallere yaslandım ama nerde
Gm
Bir bakışın benim kalp atışım
Cm7 Dm7
Kabuslardan uyanışım
Ebmaj7 Dm
Olmalısın benim olmalısın
Cm7 Dm7
Nefes gibi göğsüme dolmalısın
End of song Play again?
Mavi Gri - Kır Çiçeğim Tabs
NotesX
Harmony analysis
Mavi Gri – Kır Çiçeğim: key and chord analysis
The song opens on Ebmaj7 and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Bb major and G minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 4× |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 15× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 20× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 2× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 13× |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 9× |
| V | F | Dominant — strongest pull home | F · A · C | 18× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 4× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 4× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 4× |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 15× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 20× |
| v | Dm | Minor dominant — soft pull | D · F · A | 2× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 13× |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 9× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 18× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 8 different chords appear 85 times in total; 8 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Eb F BbIV → VIV → V GmVI → VIIVI → VII ×5
- Eb Bb BbIV → Iplagal cadence GmVI → III ×4
- F Gm BbV → videceptive cadence GmVII → iAeolian arrival ×2
- Dm7 Gm Bbiii7 → vi Gmv7 → inatural-minor cadence ×2
The move to watch is Eb → F, heard 5 times. From the Bb side it reads IV → V (IV → V: the lift that builds tension before home); from the Gm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Ebmaj7 lays a solid floor for everything that follows. The chords that keep coming back are Dm7, F, Cm7, Eb; read them as iii7–V–ii7–IV in Bb or v7–VII–iv7–VI in Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Eb → F (IV → V in Bb, VI → VII in Gm): IV → V — the lift that builds tension before home. Ending on Dm7, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mavi Gri - Kır Çiçeğim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Akif AlkanMusic: Akif AlkanArrangement: Mavi Gri
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