Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Yıldız Tilbe - Ayrılamam - Chord
Key Ab major – F minor Chords Cm, Dbmaj7, Eb, Bbm, Fm, Ab, Db Easy key C
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Key: Ab | Fm
Capo: 0
Cm Dbmaj7 Kalbim yanaar hasretinle Cm Dbmaj7 Başım döneer hayalinle Cm Dbmaj7 Canım seniin, ruhum senin Cm Dbmaj7 Sensiz ben beeni neyleyim Fm Dbmaj7 Unutmadım unutsan da Eb Bbm Cm Yaram derin, çok beterim Cm Dbmaj7 Anlatmadım soranlara Eb Bbm Cm Seni kendimden gizledim Cm Ayrılamam ellerinden Ayrılamam gözlerinden Ab Bbm Ayrılamam gül yüzünden Eb Db Cm Aaaaaatma beni Cm Dbmaj7 Seni bendeen ayırmadım Cm Dbmaj7 Haksızsan daa darılmadım Cm Dbmaj7 Aşkı böylee yaşamadım Cm Dbmaj7 Seninle bana ağladım Fm Dbmaj7 Unutmadım unutsan da Eb Bbm Cm Yaram derin, çok beterim Cm Dbmaj7 Anlatmadım soranlara Eb Bbm Cm Seni kendimden gizledim Cm Ayrılamam ellerinden Ayrılamam gözlerinden Ab Bbm Ayrılamam gül yüzünden Eb Db Cm Aaaaaatma beni
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Yıldız Tilbe - Ayrılamam Tabs
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Harmony analysis
Yıldız Tilbe – Ayrılamam: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 2× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 6× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 18× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 12× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 2× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 2× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 2× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 6× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 18× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 12× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 48 times in total; 7 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Dbmaj7 Eb AbIVmaj7 → VIV → V FmVImaj7 → VIIVI → VII ×4
- Dbmaj7 Fm AbIVmaj7 → vi FmVImaj7 → iVI → i ×2
- Bbm Eb Abii → Vii → V Fmiv → VII ×2
The move to watch is Dbmaj7 → Eb, heard 4 times. From the Ab side it reads IVmaj7 → V (IV → V: the lift that builds tension before home); from the Fm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Cm lays a solid floor for everything that follows. The backbone is Cm, Dbmaj7, Eb, Bbm — iii–IVmaj7–V–ii from the Ab side, v–VImaj7–VII–iv from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dbmaj7 → Eb (IVmaj7 → V in Ab, VImaj7 → VII in Fm): IV → V — the lift that builds tension before home. Ending on Cm, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Yıldız Tilbe - Ayrılamam Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yıldız TilbeMusic: Yıldız Tilbe
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