Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
163 - Bağımlı Karanlığa - Chord
Key Ab major – F minor Chords Fm, Bbm, C Easy key C
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Key: Ab | Fm
Capo: 0
Bbm Fm C Fm
Bbm Fm
Korkma benden, kaçma benden
C Fm Bbm
Benim güneşim ikimize de yeter
Fm
Kendinizi kaçın ve kurtarın
C
Buralar bize göre değil
Kimileri geçmiş buradan
Fm Bbm
Kimilerini harcamış dünya
Fm
İçimizde birikenler
C
Devirenler, kemirgenler
Fm
Dikkat et bu son olmasın ha
Bbm Fm
Beş kuruşun mu yok
C
Niye bizleri satar ve harcarsın
Fm
Kimleri sevdin şu ana kadar ki
Bbm
Alttan sıvışalım
Bbm Fm
Beş kuruşun mu yok
C
Niye bizi satar ve harcarsın
Fm
Kimleri sevdin şu ana kadar
Bbm Fm C Fm
Bbm Fm
Sen benim kanımsın
C
Ama kanın karıştırdı pisliği kanıma
Fm
Böbreklerim dayanamaz bu çamura
Tıkanır damarlarım
Bbm Fm
Bağımlı olurum ellere
C
Ve bağımlı olurum karanlığa
Fm
Eğer ısrar edersen iki ileri, bir geri
Bbm
Koşmaya ayaklarım hep ileri gider
Fm
Koparır bağını
Devam eder yoluna
C
Sen de devam et yoluna
Fm
Ya da takıl bana
Bbm Fm
Beş kuruşun mu yok
C
Niye bizleri satar ve harcarsın
Fm
Kimleri sevdin şu ana kadar ki
Bbm
Alttan sıvışalım
Bbm Fm
Beş kuruşun mu yok
C
Niye bizi satar ve harcarsın
Fm
Kimleri sevdin şu ana kadar
End of song Play again?
163 - Bağımlı Karanlığa Tabs
NotesX
Harmony analysis
163 – Bağımlı Karanlığa: key and chord analysis
The song opens on Bbm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it comes to rest on Fm, Fm is heard 24 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 14× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 12× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 24× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 24× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 14× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 12× |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 50 times in total; 2 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm.
Chord movement
- C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×12
- Bbm Fm Abii → vi Fmiv → iminor plagal ×12
The move to watch is C → Fm, heard 12 times. From the Fm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Ab side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Bbm; the ear learns where home is within a second. The chords that keep coming back are Fm, Bbm, C; read them as vi–ii–V/vi in Ab or i–iv–V in Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on C → Fm (V/vi → vi in Ab, V → i in Fm): harmonic-minor cadence — the major V resolves dramatically. The final chord is Fm; the ear comes to rest in Fm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
163 - Bağımlı Karanlığa Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yamac YesilMusic: Yamac Yesil
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