Güneş - Dua (Uzi) - Chord

Key C major – A minor Chords Am, F, Dm, Em Difficulty already in its easiest key

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Am                    F
Hislere bırak, sarsın seni
                             Dm        Em
İşledi ruhuma, bildiğin gibi değil (ah, ah)

Am                             F                          Dm   Em
Hissediyorum rockstar biri ama yaşıyorum tam serseri gibi (ah, ah)
Am
Yedimdeki gibi yirmimdeyim
F
Bileğim pek de güçlü değil
Dm 
Değişmedi içimdeki masum peri
Em
Ama kovaladım yine her gün daha deli
Am
Seçemem yolu ama çıkarır beni bi’ şekil
F                                  Dm        Em
Gideceğim yere kadar, benim için kolay değil olay (ah, ah)

Am
İnan ama neye?
      F                       Dm
Dua ettim ben her gece yine, bak
                             Em
İnadına dene, yalpalayıp bulamasan evinin yolunu bile, ah

Am                    F
Hislere bırak, sarsın seni
                              Dm
İşledi ruhuma, deli yürüdüğüm yol bile beni ezberledi
          Em
Sorunumuz yok değil, bu kez ezberledik
           Am
Geri döner adımları, ediyorum sanma sakın pes
         F
Koşarım, durmam, kalsa bile tek içimdeki ses
      Dm
Karşı çıktım bak dünyaya, edemedi bile pes
       Em
Bununlayım, dönmüyorum geri; çekiyorum rest size

Am
İnan ama neye?
      F                        Dm
Dua ettim ben her gece yine, bak
                             Em
İnadına dene, yalpalayıp bulamasan evinin yolunu bile, ah

Am
Yine dene, inadına dene
F
Sarhoş oldum unuturum diye, gidemedim eve
Dm
Benimle misin bebek, takıl peşime
Em
Bundan sonra bi’ sana bakarım, bi’ de işime
Am
Boş konuşmam hiç, dinle istersen
F
İnan, onu yapı’caz ben ne istersem
Dm
Listeleri doldururuz kalbini dinlersen
Em
Bi’ gün bu semt gösteri’cek ebemizi tersten
Am
Korkusuz yaşarım, genç ölürüm, ya
F
Görürsem şaşarım gün yüzünü, ey
Dm
Huzur kırmızı, ben renk körüyüm sanki
Em
Dostum çok yine de tek yürürüm, cano
Am
Çürürüm gümüş dişlerimin arasından sana
F
Güldürürüm bu dünyada çocukları sadece
Dm
Sığınırım her gece o duaların arkasına
Em
Kırk yaşına gelsem bile takılırım mahallede

Am
İnan ama neye?
      F                        Dm
Dua ettim ben her gece yine, bak
                             Em
İnadına dene, yalpalayıp bulamasan evinin yolunu bile, ah

End of song Play again?

Güneş - Dua (Uzi) Tabs

NotesX

Harmony analysis

Güneş – Dua (Uzi): key and chord analysis

The song opens on Am and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it opens on Am and Am is heard 13 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii	Dm	Supertonic — prepares the dominant	D · F · A	13×
iii	Em	Mediant — a tonic-family shade	E · G · B	13×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	13×
V	G	Dominant — strongest pull home	G · B · D	—
vi	Am	Relative minor — the melancholy side	A · C · E	13×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	13×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv	Dm	Subdominant — moves away from home	D · F · A	13×
v	Em	Minor dominant — soft pull	E · G · B	13×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	13×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 52 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Em Am Ciii → vi Amv → inatural-minor cadence ×12

The move to watch is Em → Am, heard 12 times. From the Am side it is v → i (natural-minor cadence: gentle, modal arrival); from the C side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is Am; the ear learns where home is within a second. The backbone is Am, F, Dm, Em — vi–IV–ii–iii from the C side, i–VI–iv–v from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Em → Am (iii → vi in C, v → i in Am): natural-minor cadence — gentle, modal arrival. Ending on Em, the song seals C as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.